Perspectives on contemporary printmaking

Critical writing since 1986
Herausgeber: Pelzer-Montada, Ruth

• Broschiertes Buch

Produktbeschreibung

The anthology provides a critical topography of printmaking since the mid-1980s. Its texts, by well-known authors as well as â insidersâ , span different formats and critical and theoretical approaches. -- .

Produktdetails

• Verlag: Manchester University Press
• Seitenzahl: 368
• Erscheinungstermin: 1. September 2018
• Englisch
• Abmessung: 234mm x 156mm x 20mm
• Gewicht: 590g
• ISBN-13: 9781526125750
• ISBN-10: 1526125757
• Artikelnr.: 50694143

Autorenporträt

Ruth Pelzer-Montada is an artist and Lecturer in Contemporary Art and Visual Culture at Edinburgh College of Art, The University of Edinburgh

Inhaltsangabe

Introduction Part I: Genealogy Beat Wyss
Fragments for an art history of media: electr(on)ic thinking (1997) Ernst Rebel
The technical gaze: the parallel world of photography (2003) Frances Robertson
Post
print culture? (2013) Part II: Debates Ruth Weisberg
The syntax of the print: in search of an aesthetic context (1986) Richard S. Field
Sentences on printed art (1994) Kathryn Reeves
The re
vision of printmaking (1999) Andrzrej Bednarczyk
The shape of graphic art (2010) José Roca
The graphic unconscious or the how and why of a print triennial (2011) Richard Harding
Print as other: the future is queer (2013) Barbara Balfour
The what and the why of print (2016) Part III: Keywords Ernst Rebel
Coordinates of a history of the technical image (2003) Susan Lambert
The status of the reproduction (1988) Clare Humphries
Benjamin's blindspot: aura and reproduction in the post
print age (2015) K. E. Gover
Are all multiples the same? The problematic nature of the limited edition (2015) Frieder Nake
Printing plates and pixel matrix: the mechanisation of memory (2010) Georges Didi
Huberman
Opening up an anachronistic point of view (1997) Deirdre Brollo
Untying the knot: memory and forgetting in contemporary print work (2013) Yara Flores
Spirit duplication (2010) Catherine Brooks
Three ways to use yellow (2014) Amze Emmons, R.L. Tillman and Jason Urban
On the manual (In the manual) (2014) Nicky Coutts
Animal print suicide (2014) Part IV: The field Daniel F. Herrmann
Edinburgh Printmakers and the notion of the workshop (2007) Jeremy Lewison
Projects and portfolios: narrative and structure (1995) Gill Saunders
Lasting impressions? A museum perspective on digital fine art printmaking (2009) Sheryl Conkelton
Print and the public sphere (2011) Johanna Drucker
The work event: art in the distributed field and systems of production (2013) Eric Triantafillou
All the instruments agree (2010) Mari Carmen Ramírez
Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) Shang Hui
Chinese printmaking in the twenty
first century: new horizons and energies (2011) Matthew Perkins
What is 'studio' in the post
disciplinary age? (2011) Amanda Thomson
Making a place: art and a multi
modal, multi
disciplinary approach (2014) R. L. Tillman
Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) Index