The first comprehensive assessment of Degas's legacy to be published in over two decades, Perspectives on Degas unites a team of international scholars to analyze Degas's work, artistic practice, and unique methods of pictorial problem-solving.
The first comprehensive assessment of Degas's legacy to be published in over two decades, Perspectives on Degas unites a team of international scholars to analyze Degas's work, artistic practice, and unique methods of pictorial problem-solving.
Kathryn Brown is a lecturer in modern and contemporary art at Loughborough University in the United Kingdom. She is the author of Women Readers in French Painting 1870-1890 (Ashgate, 2012).
Inhaltsangabe
Contents List of illustrations Notes on contributors Introduction Kathryn Brown Section I Art in context: gender, race, and labour 1 Revisiting Degas: a meditation on women, horses, and nature Norma Broude 2 Sport and embodiment: Degas's racecourse scenes Shao-Chien Tseng 3 Garçon! Waiters, labour, and performance in Edgar Degas's The Spectators Mary Hunter 4 The female spectator of modern art and the spectacle of medicalized femininity Anthea Callen 5 'Miss La La's' teeth: further reflections on Degas and 'race' Marilyn R. Brown Section II Making and materiality 6 Edgar Degas's Princess Pauline de Metternich and the phenomenological swirl Marni Reva Kessler 7 Degas's sculpture: the inside story Patricia Failing 8 Pictures in flux: Degas's monotypes and some notes on their relation to other media Jonas Beyer 9 Intimacy and exclusion: Degas's illustrations for Ludovic Halévy's La Famille Cardinal Kathryn Brown Section III 'Writing' Degas 10 The collecting practices of Degas and Cassatt: gender and the construction of value in art history Ruth E. Iskin 11 Degas and subjectivity: from psychoanalysis to the extended mind Heather Dawkins 12 In his own words: Walter Sickert's writings on Degas Anna Gruetzner Robbins Bibliography Index
Contents List of illustrations Notes on contributors Introduction Kathryn Brown Section I Art in context: gender, race, and labour 1 Revisiting Degas: a meditation on women, horses, and nature Norma Broude 2 Sport and embodiment: Degas's racecourse scenes Shao-Chien Tseng 3 Garçon! Waiters, labour, and performance in Edgar Degas's The Spectators Mary Hunter 4 The female spectator of modern art and the spectacle of medicalized femininity Anthea Callen 5 'Miss La La's' teeth: further reflections on Degas and 'race' Marilyn R. Brown Section II Making and materiality 6 Edgar Degas's Princess Pauline de Metternich and the phenomenological swirl Marni Reva Kessler 7 Degas's sculpture: the inside story Patricia Failing 8 Pictures in flux: Degas's monotypes and some notes on their relation to other media Jonas Beyer 9 Intimacy and exclusion: Degas's illustrations for Ludovic Halévy's La Famille Cardinal Kathryn Brown Section III 'Writing' Degas 10 The collecting practices of Degas and Cassatt: gender and the construction of value in art history Ruth E. Iskin 11 Degas and subjectivity: from psychoanalysis to the extended mind Heather Dawkins 12 In his own words: Walter Sickert's writings on Degas Anna Gruetzner Robbins Bibliography Index
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