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This volume explores the relationship between literature and translation from three perspectives: the creative dimensions of the translation process; the way texts circulate between languages; and the way texts are received in translation by new audiences. The distinctiveness of the volume lies in the fact that it considers these fundamental aspects of literary translation together and in terms of their interconnections. Contributors examine a wide variety of texts, including world classics, poetry, genre fiction, transnational literature, and life writing from around the world. Both…mehr

Produktbeschreibung
This volume explores the relationship between literature and translation from three perspectives: the creative dimensions of the translation process; the way texts circulate between languages; and the way texts are received in translation by new audiences. The distinctiveness of the volume lies in the fact that it considers these fundamental aspects of literary translation together and in terms of their interconnections. Contributors examine a wide variety of texts, including world classics, poetry, genre fiction, transnational literature, and life writing from around the world. Both theoretical and empirical issues are covered, with some contributors approaching the topic as practitioners of literary translation, and others writing from within the academy.
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Autorenporträt
Brian Nelson is Professor Emeritus of French Studies and Translation Studies at Monash University, Melbourne, and a Fellow of the Australian Academy of the Humanities. He is well known for his critical studies and translations of the novels of Emile Zola.   Brigid Maher is Lecturer in Italian Studies at La Trobe University. She is the author of Recreation and Style: Translating Humour in Italian and English Literature (Benjamins) and co-editor of Words, Images and Performances in Translation (Continuum) and The AALITRA Review. She has translated novels by Milena Agus and Nicola Lagioia.