Preface Acknowledgements 1. Mozart's trills Paul Badura-Skoda 2. 'Ich praeludirte und spielte Variazonen': Mozart the fortepianist Katalin Komlós 3. Mozart's tempo indications and the problem of interpretation Jean-Pierre Marty 4. On the problem of cadenzas in Mozart's violin concertos Eduard Melkus 5. A new look at Mozart's prosodic appoggiatura Frederick Neumann 6. A performer's thoughts on Mozart's violin style Jaap Schröder 7. Leopold Mozart Mozart revised: articulation in violin playing during the second half of the eighteenth century Robin Stowell 8. Mozart according to Mendelssohn: a contribution to Rezeptionsgeschichte R. Larry Todd 9. Some thoughts on Mozart's use of the chromatic fourth Peter Williams 10. Cadenzas and styles of improvisation in Mozart's Piano Concertos Christoph Wolff Indexes.
Preface Acknowledgements 1. Mozart's trills Paul Badura-Skoda 2. 'Ich praeludirte und spielte Variazonen': Mozart the fortepianist Katalin Komlós 3. Mozart's tempo indications and the problem of interpretation Jean-Pierre Marty 4. On the problem of cadenzas in Mozart's violin concertos Eduard Melkus 5. A new look at Mozart's prosodic appoggiatura Frederick Neumann 6. A performer's thoughts on Mozart's violin style Jaap Schröder 7. Leopold Mozart Mozart revised: articulation in violin playing during the second half of the eighteenth century Robin Stowell 8. Mozart according to Mendelssohn: a contribution to Rezeptionsgeschichte R. Larry Todd 9. Some thoughts on Mozart's use of the chromatic fourth Peter Williams 10. Cadenzas and styles of improvisation in Mozart's Piano Concertos Christoph Wolff Indexes.
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