Robert G. Weiner

Perspectives on the Grateful Dead

Critical Writings

• Gebundenes Buch

Produktbeschreibung

The Grateful Dead, one of the most meticulously documented rock bands, significantly influenced American music and popular culture. Its popularity has endured for three decades despite mixed critical reception. Jerry Garcia, thought of among many as a musical icon and spokesperson for more than one generation of fans, was often equally scorned by various critics. This collection of scholarly essays attests to the varied fields of interest the band and its followers, known as Deadheads, have affected, including psychology, law, and ethnomusicology. The contributions explore the diversity of the culture of fans, empirically analyze the music, apply literary criticism to the lyrics, and explore Dead-related philosophical and theological concepts - in other words, they are as eclectic as the myriad Grateful Dead fans themselves. Appealing to Grateful Dead scholars, fans, and collectors alike, these twenty-two essays are grouped by subject, and each essay includes a bibliography of resources for further research.

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Produktdetails

• Verlag: Praeger
• Seitenzahl: 270
• Erscheinungstermin: 30. September 1999
• Englisch
• Abmessung: 240mm x 161mm x 19mm
• Gewicht: 575g
• ISBN-13: 9780313305696
• ISBN-10: 0313305692
• Artikelnr.: 21765935

Autorenporträt

Robert G. Weiner

Inhaltsangabe

Foreword by Rebecca G. Adams Introduction by Robert G. Weiner Precisely How
and Why I Didn't Kill Jerry: Ethnography, Surrealism, and The Millennium
Shows by Philip E. Baruth A Pilot Study in Dream Telepathy with the
Grateful Dead by Stanley Krippner Legally Dead: The Grateful Dead and
American Legal Culture by David Fraser and Vaughan Black The Grateful Dead
Onstage in "World Music" by Thomas Vennum, Jr. "No, but I've Been to
Shows": Accepting the Dead and Rejecting the Deadheads by David L. Pelovitz
Why Are There So Many Jewish Deadheads? by Douglas M. Gertner Bakhtinian
Carnival, Corporate Capital, and the Last Decade of the Dead by Brad Lucas
Understanding "Show" as a Deadhead Speech Situation by Natalie Dollar Is
There a Day of the Month Effect in "Beat It On Down the Line?" by Robert K.
Toutkoushian The Grateful Dead Experience: A Factor Analytic Study of the
Personalities of People Who Identify with the Grateful Dead by William
McCown and Wendy L. Dulaney "High Time" and Ambiguous Harmonic Function by
Walter Everett Space, Motion, and Other Musical Metaphors by Shaugn
O'Donnell The Grateful Dead Legendstock: Based on Alan Trist's Water of
Life -- A Tale of the Grateful Dead by Marjorie C. Luesebrink The Grateful
Dead vs. the American Dream? by Jason Palm The Annotated "Ramble on Rose":
An installment in The Annotated Grateful Dead Lyrics (a work in progress)
by David Dodd "Laid my proposition down/Laid it on the line": Gambling and
the Storyteller in Robert Hunter's Lyrics by Anissa Craghead Grateful Dead:
Manifestations from the Collective Unconscious by Mary Goodenough Clinging
to the Edge of Magic: Shamanic Aspects of the Grateful Dead by Nancy Reist
The Grateful Dead as Community by Rachel Wilgoren Deadhead Tales of the
Supernatural: A Folkloristic Analysis by Revell Carr The Piping of Heaven:
Reckless Musings on Philosophical Taoism and the Grateful Dead Phenomenon
by Joseph P. Noonan III The Ripple Effect by Joseph Holt Afterword The
Curriculum of Joy by Steve Silberman