This book studies how the idea-of-theater shaped western consciousness during the Christian Middle Ages. It analyses developments within western philosophy, Christian theology and theater history to show how this idea realized itself primarily as a metaphor circulating through various discursive domains.
This book studies how the idea-of-theater shaped western consciousness during the Christian Middle Ages. It analyses developments within western philosophy, Christian theology and theater history to show how this idea realized itself primarily as a metaphor circulating through various discursive domains.
Soumick De is currently a post doctoral fellow at Indian Council of Social Science Research (ICSSR), India where he is working on the concept of the tragic and its relevance in the political imagination of modernity.
Inhaltsangabe
Concept, Problem and Movement: A General Introduction PART 1 Prelude to a Problem 1. "The Artist is Branded While the Art is Extolled": The Differential Reality of Persona and the Question of Theatre in Ancient Rome PART 2 The Problem Made Possible 2. "How Vast the Spectacle that Day, and How Wide!" The Treatment of Theatre in Early Christianity 3. "You Touched Me, and I am Set on Fire to Attain the Peace Which is Yours": Variations on Certain Theatrical Readings of St. Augustine 4. "For in this Breakthrough it is Bestowed upon Me That I and God are One": The Worldlessness of Meister Eckhart and the Fate of Theatrum Mundus PART 3 The Actualization of the Problem 5. "The Wise Man Laughs Only with Fear and Trembling": Representation, Repetition and the Materialist Threshold of Medieval Imagination Conclusion: To Get Past the Critic...
Concept, Problem and Movement: A General Introduction PART 1 Prelude to a Problem 1. "The Artist is Branded While the Art is Extolled": The Differential Reality of Persona and the Question of Theatre in Ancient Rome PART 2 The Problem Made Possible 2. "How Vast the Spectacle that Day, and How Wide!" The Treatment of Theatre in Early Christianity 3. "You Touched Me, and I am Set on Fire to Attain the Peace Which is Yours": Variations on Certain Theatrical Readings of St. Augustine 4. "For in this Breakthrough it is Bestowed upon Me That I and God are One": The Worldlessness of Meister Eckhart and the Fate of Theatrum Mundus PART 3 The Actualization of the Problem 5. "The Wise Man Laughs Only with Fear and Trembling": Representation, Repetition and the Materialist Threshold of Medieval Imagination Conclusion: To Get Past the Critic...
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