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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online.The journalist, Tony Russell, stated in his book The Blues - From Robert Johnson to Robert Cray, that "Johnson shared with the other members of the ''Boogie Woogie Trio'' the technical virtuosity and melodic fertility that can make this the most exciting of all piano music styles, but he was more comfortable than Meade Lux Lewis in a band setting; and as an accompanist, unlike Lewis or Albert Ammons, he could sparkle but not outshine his singing partner". Fellow…mehr

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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online.The journalist, Tony Russell, stated in his book The Blues - From Robert Johnson to Robert Cray, that "Johnson shared with the other members of the ''Boogie Woogie Trio'' the technical virtuosity and melodic fertility that can make this the most exciting of all piano music styles, but he was more comfortable than Meade Lux Lewis in a band setting; and as an accompanist, unlike Lewis or Albert Ammons, he could sparkle but not outshine his singing partner". Fellow journalist, Scott Yanow (Allmusic) added "Johnson was one of the three great boogie-woogie pianists (along with Lewis and Ammons) whose sudden prominence in the late 1930s helped make the style very popular".