Including articles, essays, letters, broadcasts and interviews, some previously unpublished, this volume brings together more than seventy written and spoken-word sources to illuminate the life and work of the composer Peter Maxwell Davies. This book will appeal to music specialists and others interested in British post-war culture.
Including articles, essays, letters, broadcasts and interviews, some previously unpublished, this volume brings together more than seventy written and spoken-word sources to illuminate the life and work of the composer Peter Maxwell Davies. This book will appeal to music specialists and others interested in British post-war culture.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Part I. From Manchester to Hoy, 1934-1970: 1. Maxwell Davies, composer 2. Sonata for Trumpet and Piano, Op. 1 3. Webern: Variations for Piano, Op. 27 4. Nikos Skalkottas: Sonatina and Tender Melody for Cello and Piano 5. The young British composer 6. Indian classical music 7. Musical life in Italy 8. Problems of a British composer today 9. St Michael - Sonata for Seventeen Wind Instruments 10. Prolation 11. Realizing the 'aural vision' of Prolation 12. Composing music for school use 13. First Fantasia on an 'In Nomine' of John Taverner 14. Sinfonia 15. Echoes of the past in the present 16. In defence of compositional technique 17. The young composer in America 18. Second Fantasia on John Taverner's 'In Nomine' 19. Seven In Nomine 20. Where our colleges fail 21. Musical innovation 22. Antechrist 23. Sets or series 24. Messiaen: Turangalîla-Symphonie 25. Manipulating time and immoral realizations 26. Schoenberg: Pierrot Lunaire 27. St Thomas Wake 28. Worldes Blis 29. Eight Songs for a Mad King 30. Vesalii Icones 31. The orchestra is becoming a museum 32. Revelation and Fall 33. Taverner Part II. From Hoy to Sanday, 1971-1997: 34. Two early Orkney works 35. 'Pax Orcadiensis' 36. Benjamin Britten: a tribute 37. Symphony 38. Safer 'out' than in 39. The Lighthouse 40. Symphony No. 2 41. Michael Tippett: a tribute 42. Darkening our civilization 43. St Magnus festival - one decade on 44. Symphony No. 4 45. The Arts Council and the Royal Philharmonic Orchestra 46. London's needs for all its orchestras 47. Cheltenham Music Festival: a tribute 48. Remembering Darmstadt 49. Symphony No. 6 50. The late Strathclyde Concertos 51. The influence of Aboriginal music 52. Renaissance architecture, symphonic precedents and historical resonances 53. Notes from a cold climate Part III. Sanday, 1998-2016: 54. A Roma, con amore 55. Mr Emmet Takes a Walk 56. Music to our ears 57. A composer's point of view (I): on music, mathematics and magic squares 58. A composer's point of view (II): on parody, references and meaning 59. A composer's point of view (III): on religion 60. A composer's point of view (IV): on the composition of 'light' and 'serious' music 61. Symphony No. 7 62. The Naxos Quartets 63. Studying with Petrassi 64. Master of the Queen's music 65. Will serious music become extinct? 66. A disorientating ruckus 67. Bearing witness 68. A conducting lesson with Leonard Bernstein 69. Kommilitonen! (Young Blood!) 70. Beacons of light: in praise of music's benevolence 71. A symphony for troubled times 72. In search of Borromini 73. Indivisible parameters and spirit-stirring amalgams 74. Calling us to our sleep.
Part I. From Manchester to Hoy, 1934-1970: 1. Maxwell Davies, composer 2. Sonata for Trumpet and Piano, Op. 1 3. Webern: Variations for Piano, Op. 27 4. Nikos Skalkottas: Sonatina and Tender Melody for Cello and Piano 5. The young British composer 6. Indian classical music 7. Musical life in Italy 8. Problems of a British composer today 9. St Michael - Sonata for Seventeen Wind Instruments 10. Prolation 11. Realizing the 'aural vision' of Prolation 12. Composing music for school use 13. First Fantasia on an 'In Nomine' of John Taverner 14. Sinfonia 15. Echoes of the past in the present 16. In defence of compositional technique 17. The young composer in America 18. Second Fantasia on John Taverner's 'In Nomine' 19. Seven In Nomine 20. Where our colleges fail 21. Musical innovation 22. Antechrist 23. Sets or series 24. Messiaen: Turangalîla-Symphonie 25. Manipulating time and immoral realizations 26. Schoenberg: Pierrot Lunaire 27. St Thomas Wake 28. Worldes Blis 29. Eight Songs for a Mad King 30. Vesalii Icones 31. The orchestra is becoming a museum 32. Revelation and Fall 33. Taverner Part II. From Hoy to Sanday, 1971-1997: 34. Two early Orkney works 35. 'Pax Orcadiensis' 36. Benjamin Britten: a tribute 37. Symphony 38. Safer 'out' than in 39. The Lighthouse 40. Symphony No. 2 41. Michael Tippett: a tribute 42. Darkening our civilization 43. St Magnus festival - one decade on 44. Symphony No. 4 45. The Arts Council and the Royal Philharmonic Orchestra 46. London's needs for all its orchestras 47. Cheltenham Music Festival: a tribute 48. Remembering Darmstadt 49. Symphony No. 6 50. The late Strathclyde Concertos 51. The influence of Aboriginal music 52. Renaissance architecture, symphonic precedents and historical resonances 53. Notes from a cold climate Part III. Sanday, 1998-2016: 54. A Roma, con amore 55. Mr Emmet Takes a Walk 56. Music to our ears 57. A composer's point of view (I): on music, mathematics and magic squares 58. A composer's point of view (II): on parody, references and meaning 59. A composer's point of view (III): on religion 60. A composer's point of view (IV): on the composition of 'light' and 'serious' music 61. Symphony No. 7 62. The Naxos Quartets 63. Studying with Petrassi 64. Master of the Queen's music 65. Will serious music become extinct? 66. A disorientating ruckus 67. Bearing witness 68. A conducting lesson with Leonard Bernstein 69. Kommilitonen! (Young Blood!) 70. Beacons of light: in praise of music's benevolence 71. A symphony for troubled times 72. In search of Borromini 73. Indivisible parameters and spirit-stirring amalgams 74. Calling us to our sleep.
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