Considers lyrical works and the reception of Petrarch's poetry in sixteenth- and early seventeenth-century England. It explores these themes in the light of development of literary canons, poetic imitation, and production, from Thomas Wyatt to William Shakespeare.
Considers lyrical works and the reception of Petrarch's poetry in sixteenth- and early seventeenth-century England. It explores these themes in the light of development of literary canons, poetic imitation, and production, from Thomas Wyatt to William Shakespeare.
Gordon Braden is Professor Emeritus of English at the University of Virginia where he began teaching in 1975. He was chair of the Department 1997-2000 and 2003-06, and retired in 2014 as Linden Kent Memorial Professor of English.
Inhaltsangabe
Introduction 1: Thomas Wyatt 2: George Gascoigne 3: Philip Sidney 4: Sonneteers 5: Courtiers 6: William Shakespeare Appendix A. Astrophil and Stella: Utrum Copularentur Appendix B. The Afterlife of Petrarch, Canzoniere 23 Appendix C. The Trionfi
Introduction 1: Thomas Wyatt 2: George Gascoigne 3: Philip Sidney 4: Sonneteers 5: Courtiers 6: William Shakespeare Appendix A. Astrophil and Stella: Utrum Copularentur Appendix B. The Afterlife of Petrarch, Canzoniere 23 Appendix C. The Trionfi
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