Philosophical and Cultural Theories of Music
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This collection brings together philosophers, sociologists, musicologists and students of culture who theorize music through cultural practices as diverse as opera and classical music, jazz and pop, avant-garde and DIY musical cultures, music festivals and isolated listening through the iPod, rock in urban heritage and the piano in East Asia.

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Produktbeschreibung
This collection brings together philosophers, sociologists, musicologists and students of culture who theorize music through cultural practices as diverse as opera and classical music, jazz and pop, avant-garde and DIY musical cultures, music festivals and isolated listening through the iPod, rock in urban heritage and the piano in East Asia.
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Autorenporträt
Eduardo De La Fuente, Ph.D (1999) in Humanities, Griffith University, is Lecturer in the School of English, Communications and Performance Studies, Monash University. He has published widely on the sociology of art and cultural sociology, including Twentieth Century Music and the Question of Modernity (Routledge, 2010). Peter Murphy is Associate Professor of Communications and Director of the Social Aesthetics Research Unit, Monash University. He is co-author with Simon Marginson and Michael Peters of Creativity and the Global Knowledge Economy (Peter Lang, 2009), Global Creation (Peter Lang, 2010) and Imagination (Peter Lang, 2010). Murphy's other recent books include Dialectic of Romanticism: A Critique of Modernism with David Roberts (Continuum, 2004) and Civic Justice (Prometheus/Humanity Books, 2001).