Leading philosophers and art theorists engage with the philosophical puzzles raised by conceptual art: What kind of art is conceptual art? What follows from the fact that conceptual art does not aim to have aesthetic value? What knowledge or understanding can we gain from conceptual art? How ought we to appreciate conceptual art?
Leading philosophers and art theorists engage with the philosophical puzzles raised by conceptual art: What kind of art is conceptual art? What follows from the fact that conceptual art does not aim to have aesthetic value? What knowledge or understanding can we gain from conceptual art? How ought we to appreciate conceptual art?
Professor Peter Goldie was Samuel Hall Chair and Head of Philosophy at Manchester University Elisabeth Schellekens is Senior Lecturer of Philosophy at the University of Durham
Inhaltsangabe
* Introduction * I. Conceptual art as a kind of art * 1: Peter Lamarque: On perceiving conceptual art * 2: Derek Matravers: The dematerialization of the art object * 3: Gregory Currie: The ontology of conceptual art * 4: Robert Hopkins: Speaking through silence: conceptual art and conversational implicature * II. Conceptual art and aesthetic value * 5: Elisabeth Schellekens: The aesthetic value of ideas * 6: Diarmuid Costello: Kant After LeWitt: Towards an aesthetics of conceptual art * III. Conceptual art, knowledge and understanding * 7: Carolyn Wilde: Mind and matter in the work of art: One and Three Chairs * 8: David Davies: Telling Pictures: the place of narrative in late modern 'visual art' * 9: Peter Goldie: Conceptual art and knowledge * 10: Kathleen Stock: Sartre, Wittgenstein, and learning from imagination * IV. Appreciating conceptual art * 11: Matthew Kieran: Artistic character, creativity, and the appreciation of conceptual art * 12: Margaret Boden: Creativity and conceptual art * 13: Dominic McIver Lopes: Conceptual art is not what it seems * 14: Art and Language: Emergency Conditionals
* Introduction * I. Conceptual art as a kind of art * 1: Peter Lamarque: On perceiving conceptual art * 2: Derek Matravers: The dematerialization of the art object * 3: Gregory Currie: The ontology of conceptual art * 4: Robert Hopkins: Speaking through silence: conceptual art and conversational implicature * II. Conceptual art and aesthetic value * 5: Elisabeth Schellekens: The aesthetic value of ideas * 6: Diarmuid Costello: Kant After LeWitt: Towards an aesthetics of conceptual art * III. Conceptual art, knowledge and understanding * 7: Carolyn Wilde: Mind and matter in the work of art: One and Three Chairs * 8: David Davies: Telling Pictures: the place of narrative in late modern 'visual art' * 9: Peter Goldie: Conceptual art and knowledge * 10: Kathleen Stock: Sartre, Wittgenstein, and learning from imagination * IV. Appreciating conceptual art * 11: Matthew Kieran: Artistic character, creativity, and the appreciation of conceptual art * 12: Margaret Boden: Creativity and conceptual art * 13: Dominic McIver Lopes: Conceptual art is not what it seems * 14: Art and Language: Emergency Conditionals
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