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Fiction lies in order to tell the truth and seeks reality through shadows. Philosophy attempts to dispel false realities; it pursues clear understanding of things as they are. While the relation of philosophy and fiction is, perhaps, paradoxical, they implicate one another's picture of human experience. This book uses fiction to help readers process philosophical themes, and the philosophical reflection, in turn, helps clarify the fiction. The study moves through roughly a hundred years of modern fiction, from Washington Irving's "The Devil and Tom Walker" (1824) through James M. Cain's Double…mehr
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Fiction lies in order to tell the truth and seeks reality through shadows. Philosophy attempts to dispel false realities; it pursues clear understanding of things as they are. While the relation of philosophy and fiction is, perhaps, paradoxical, they implicate one another's picture of human experience. This book uses fiction to help readers process philosophical themes, and the philosophical reflection, in turn, helps clarify the fiction. The study moves through roughly a hundred years of modern fiction, from Washington Irving's "The Devil and Tom Walker" (1824) through James M. Cain's Double Indemnity (1936). Several "classic" works of literary fiction are examined, a few largely forgotten stories and several popular novels. Reading fiction through the lens of philosophy helps readers perceive the complexity and richness of fiction, reinvigorating the pursuit of wisdom that lies just beneath the surface of the words on the page.
Produktdetails
- Produktdetails
- Verlag: McFarland
- Seitenzahl: 192
- Erscheinungstermin: 8. November 2022
- Englisch
- Abmessung: 229mm x 152mm x 11mm
- Gewicht: 287g
- ISBN-13: 9781476688473
- ISBN-10: 1476688478
- Artikelnr.: 70541168
- Verlag: McFarland
- Seitenzahl: 192
- Erscheinungstermin: 8. November 2022
- Englisch
- Abmessung: 229mm x 152mm x 11mm
- Gewicht: 287g
- ISBN-13: 9781476688473
- ISBN-10: 1476688478
- Artikelnr.: 70541168
Schuy R. Weishaar teaches English and philosophy at Richland Community College in Decatur, Illinois; he also teaches writing and literature at Trevecca Nazarene University in Nashville, Tennessee. He lives in Illinois.
Table of Contents Acknowledgments Preface Reading and Writing about Literature
1 Introduction "Philosophy and Fiction" and "Thinking through Literature"
5 delete
deleteModern Fiction
7 delete
deleteWhy Philosophy?
9 delete
deleteThemes and Chapters
11 Chapter One. Nature Introduction
13 delete
delete"Travelling during thunderstorms": "The Lightning-Rod Man" (1854) by Herman Melville
16 delete
delete"An animal that has a bad reputation": "How I Killed a Bear" (1878) by Charles Dudley Warner
22 delete
delete "The undying life of the world": "The Storm" (1898) by Kate Chopin
29 delete
delete "A glitter in his eyes which I had often seen in the eyes of wild beasts": "The Leopard Man's Story" (1903) by Jack London
35 delete
delete"The bitterest conclusion": "The White Silence" (1899) by Jack London
40 delete
deleteConclusions
45 Chapter Two. Metaphysics Introduction
48 delete
delete"The facts ... stand on an altogether different footing": "The Remarkable Case of Davidson's Eyes" (1895) by H.G. Wells
52 delete
delete "Oh, I go by various names": "The Devil and Tom Walker" (1824) by Washington Irving and "Young Goodman Brown" (1835) by Nathaniel Hawthorne
56 delete
delete"Who art thou?" "The Selfish Giant" (1888) by Oscar Wilde
63 delete
delete"What you mistake for madness": "The Tell-Tale Heart" (1843) by Edgar Allan Poe
67 delete
deleteConclusions
72 Chapter Three. Time The Time Machine (1895) by H.G. Wells: "I shall controvert one or two ideas...."
76 delete
delete"Social triumphs": Politics, Time, and the Limits Subjectivity
79 delete
delete"An altogether new relationship": Class, Species, and Survival
82 delete
deleteConclusions: Status, the Future, and the Irony of Social Darwinism
84 Chapter Four. Social Cont(r)acts Introduction
86 delete
delete"Father, father, don't kill me!" "Mateo Falcone" (1829) by Prosper Mérimée
89 delete
delete"My father is still a giant": "The Judgement" (1913) by Franz Kafkä95 delete
delete"The evil consequences of pernicious neglect": "Nobody's Story" (1853) by Charles Dickens and "The Happy Prince" (1888) by Oscar Wilde
102 delete
delete"I must not only punish, but punish with impunity": "The Cask of Amontillado" (1846) by Edgar Allan Poe
111 delete
deleteConclusions
117 Chapter Five. The Life of the Mind Introduction
120 delete
delete"Not born for ordinary life": "Looking Back" (1900) by Guy de Maupassant
125 delete
delete"Just look at you": "A Hunger Artist" (1922) by Franz Kafkä129 delete
delete"To Touch the Heart of God": "The Tables of the Law" (1897) by W.B. Yeats
137 delete
delete"You perceive?" "Pink Flannel" (1919) by Ford Madox Ford and "The Mark on the Wall" (1921) by Virginia Woolf
145 delete
deleteConclusions
153 Chapter Six. Love and Death Loving Death: Double Indemnity (1936) by James M. Cain
156 delete
deleteFraud, Murder, and Intrigue
157 delete
deleteA Grim Courtship
158 delete
deleteThe Femme Fatale into Monstrous Feminine
159 delete
deleteThe Serpent in the Self
161 delete
deletePsychos and Psychoanalysis
163 delete
deleteMore Than Just Business
165 delete
deleteDeath-Drive: The End
169 Chapter Seven. The Ends of Fiction and Philosophy Morality, Madness, and (Un)freedom
170 delete
deleteSlippery Subjects
171 Works Cited Index
1 Introduction "Philosophy and Fiction" and "Thinking through Literature"
5 delete
deleteModern Fiction
7 delete
deleteWhy Philosophy?
9 delete
deleteThemes and Chapters
11 Chapter One. Nature Introduction
13 delete
delete"Travelling during thunderstorms": "The Lightning-Rod Man" (1854) by Herman Melville
16 delete
delete"An animal that has a bad reputation": "How I Killed a Bear" (1878) by Charles Dudley Warner
22 delete
delete "The undying life of the world": "The Storm" (1898) by Kate Chopin
29 delete
delete "A glitter in his eyes which I had often seen in the eyes of wild beasts": "The Leopard Man's Story" (1903) by Jack London
35 delete
delete"The bitterest conclusion": "The White Silence" (1899) by Jack London
40 delete
deleteConclusions
45 Chapter Two. Metaphysics Introduction
48 delete
delete"The facts ... stand on an altogether different footing": "The Remarkable Case of Davidson's Eyes" (1895) by H.G. Wells
52 delete
delete "Oh, I go by various names": "The Devil and Tom Walker" (1824) by Washington Irving and "Young Goodman Brown" (1835) by Nathaniel Hawthorne
56 delete
delete"Who art thou?" "The Selfish Giant" (1888) by Oscar Wilde
63 delete
delete"What you mistake for madness": "The Tell-Tale Heart" (1843) by Edgar Allan Poe
67 delete
deleteConclusions
72 Chapter Three. Time The Time Machine (1895) by H.G. Wells: "I shall controvert one or two ideas...."
76 delete
delete"Social triumphs": Politics, Time, and the Limits Subjectivity
79 delete
delete"An altogether new relationship": Class, Species, and Survival
82 delete
deleteConclusions: Status, the Future, and the Irony of Social Darwinism
84 Chapter Four. Social Cont(r)acts Introduction
86 delete
delete"Father, father, don't kill me!" "Mateo Falcone" (1829) by Prosper Mérimée
89 delete
delete"My father is still a giant": "The Judgement" (1913) by Franz Kafkä95 delete
delete"The evil consequences of pernicious neglect": "Nobody's Story" (1853) by Charles Dickens and "The Happy Prince" (1888) by Oscar Wilde
102 delete
delete"I must not only punish, but punish with impunity": "The Cask of Amontillado" (1846) by Edgar Allan Poe
111 delete
deleteConclusions
117 Chapter Five. The Life of the Mind Introduction
120 delete
delete"Not born for ordinary life": "Looking Back" (1900) by Guy de Maupassant
125 delete
delete"Just look at you": "A Hunger Artist" (1922) by Franz Kafkä129 delete
delete"To Touch the Heart of God": "The Tables of the Law" (1897) by W.B. Yeats
137 delete
delete"You perceive?" "Pink Flannel" (1919) by Ford Madox Ford and "The Mark on the Wall" (1921) by Virginia Woolf
145 delete
deleteConclusions
153 Chapter Six. Love and Death Loving Death: Double Indemnity (1936) by James M. Cain
156 delete
deleteFraud, Murder, and Intrigue
157 delete
deleteA Grim Courtship
158 delete
deleteThe Femme Fatale into Monstrous Feminine
159 delete
deleteThe Serpent in the Self
161 delete
deletePsychos and Psychoanalysis
163 delete
deleteMore Than Just Business
165 delete
deleteDeath-Drive: The End
169 Chapter Seven. The Ends of Fiction and Philosophy Morality, Madness, and (Un)freedom
170 delete
deleteSlippery Subjects
171 Works Cited Index
Table of Contents Acknowledgments Preface Reading and Writing about Literature
1 Introduction "Philosophy and Fiction" and "Thinking through Literature"
5 delete
deleteModern Fiction
7 delete
deleteWhy Philosophy?
9 delete
deleteThemes and Chapters
11 Chapter One. Nature Introduction
13 delete
delete"Travelling during thunderstorms": "The Lightning-Rod Man" (1854) by Herman Melville
16 delete
delete"An animal that has a bad reputation": "How I Killed a Bear" (1878) by Charles Dudley Warner
22 delete
delete "The undying life of the world": "The Storm" (1898) by Kate Chopin
29 delete
delete "A glitter in his eyes which I had often seen in the eyes of wild beasts": "The Leopard Man's Story" (1903) by Jack London
35 delete
delete"The bitterest conclusion": "The White Silence" (1899) by Jack London
40 delete
deleteConclusions
45 Chapter Two. Metaphysics Introduction
48 delete
delete"The facts ... stand on an altogether different footing": "The Remarkable Case of Davidson's Eyes" (1895) by H.G. Wells
52 delete
delete "Oh, I go by various names": "The Devil and Tom Walker" (1824) by Washington Irving and "Young Goodman Brown" (1835) by Nathaniel Hawthorne
56 delete
delete"Who art thou?" "The Selfish Giant" (1888) by Oscar Wilde
63 delete
delete"What you mistake for madness": "The Tell-Tale Heart" (1843) by Edgar Allan Poe
67 delete
deleteConclusions
72 Chapter Three. Time The Time Machine (1895) by H.G. Wells: "I shall controvert one or two ideas...."
76 delete
delete"Social triumphs": Politics, Time, and the Limits Subjectivity
79 delete
delete"An altogether new relationship": Class, Species, and Survival
82 delete
deleteConclusions: Status, the Future, and the Irony of Social Darwinism
84 Chapter Four. Social Cont(r)acts Introduction
86 delete
delete"Father, father, don't kill me!" "Mateo Falcone" (1829) by Prosper Mérimée
89 delete
delete"My father is still a giant": "The Judgement" (1913) by Franz Kafkä95 delete
delete"The evil consequences of pernicious neglect": "Nobody's Story" (1853) by Charles Dickens and "The Happy Prince" (1888) by Oscar Wilde
102 delete
delete"I must not only punish, but punish with impunity": "The Cask of Amontillado" (1846) by Edgar Allan Poe
111 delete
deleteConclusions
117 Chapter Five. The Life of the Mind Introduction
120 delete
delete"Not born for ordinary life": "Looking Back" (1900) by Guy de Maupassant
125 delete
delete"Just look at you": "A Hunger Artist" (1922) by Franz Kafkä129 delete
delete"To Touch the Heart of God": "The Tables of the Law" (1897) by W.B. Yeats
137 delete
delete"You perceive?" "Pink Flannel" (1919) by Ford Madox Ford and "The Mark on the Wall" (1921) by Virginia Woolf
145 delete
deleteConclusions
153 Chapter Six. Love and Death Loving Death: Double Indemnity (1936) by James M. Cain
156 delete
deleteFraud, Murder, and Intrigue
157 delete
deleteA Grim Courtship
158 delete
deleteThe Femme Fatale into Monstrous Feminine
159 delete
deleteThe Serpent in the Self
161 delete
deletePsychos and Psychoanalysis
163 delete
deleteMore Than Just Business
165 delete
deleteDeath-Drive: The End
169 Chapter Seven. The Ends of Fiction and Philosophy Morality, Madness, and (Un)freedom
170 delete
deleteSlippery Subjects
171 Works Cited Index
1 Introduction "Philosophy and Fiction" and "Thinking through Literature"
5 delete
deleteModern Fiction
7 delete
deleteWhy Philosophy?
9 delete
deleteThemes and Chapters
11 Chapter One. Nature Introduction
13 delete
delete"Travelling during thunderstorms": "The Lightning-Rod Man" (1854) by Herman Melville
16 delete
delete"An animal that has a bad reputation": "How I Killed a Bear" (1878) by Charles Dudley Warner
22 delete
delete "The undying life of the world": "The Storm" (1898) by Kate Chopin
29 delete
delete "A glitter in his eyes which I had often seen in the eyes of wild beasts": "The Leopard Man's Story" (1903) by Jack London
35 delete
delete"The bitterest conclusion": "The White Silence" (1899) by Jack London
40 delete
deleteConclusions
45 Chapter Two. Metaphysics Introduction
48 delete
delete"The facts ... stand on an altogether different footing": "The Remarkable Case of Davidson's Eyes" (1895) by H.G. Wells
52 delete
delete "Oh, I go by various names": "The Devil and Tom Walker" (1824) by Washington Irving and "Young Goodman Brown" (1835) by Nathaniel Hawthorne
56 delete
delete"Who art thou?" "The Selfish Giant" (1888) by Oscar Wilde
63 delete
delete"What you mistake for madness": "The Tell-Tale Heart" (1843) by Edgar Allan Poe
67 delete
deleteConclusions
72 Chapter Three. Time The Time Machine (1895) by H.G. Wells: "I shall controvert one or two ideas...."
76 delete
delete"Social triumphs": Politics, Time, and the Limits Subjectivity
79 delete
delete"An altogether new relationship": Class, Species, and Survival
82 delete
deleteConclusions: Status, the Future, and the Irony of Social Darwinism
84 Chapter Four. Social Cont(r)acts Introduction
86 delete
delete"Father, father, don't kill me!" "Mateo Falcone" (1829) by Prosper Mérimée
89 delete
delete"My father is still a giant": "The Judgement" (1913) by Franz Kafkä95 delete
delete"The evil consequences of pernicious neglect": "Nobody's Story" (1853) by Charles Dickens and "The Happy Prince" (1888) by Oscar Wilde
102 delete
delete"I must not only punish, but punish with impunity": "The Cask of Amontillado" (1846) by Edgar Allan Poe
111 delete
deleteConclusions
117 Chapter Five. The Life of the Mind Introduction
120 delete
delete"Not born for ordinary life": "Looking Back" (1900) by Guy de Maupassant
125 delete
delete"Just look at you": "A Hunger Artist" (1922) by Franz Kafkä129 delete
delete"To Touch the Heart of God": "The Tables of the Law" (1897) by W.B. Yeats
137 delete
delete"You perceive?" "Pink Flannel" (1919) by Ford Madox Ford and "The Mark on the Wall" (1921) by Virginia Woolf
145 delete
deleteConclusions
153 Chapter Six. Love and Death Loving Death: Double Indemnity (1936) by James M. Cain
156 delete
deleteFraud, Murder, and Intrigue
157 delete
deleteA Grim Courtship
158 delete
deleteThe Femme Fatale into Monstrous Feminine
159 delete
deleteThe Serpent in the Self
161 delete
deletePsychos and Psychoanalysis
163 delete
deleteMore Than Just Business
165 delete
deleteDeath-Drive: The End
169 Chapter Seven. The Ends of Fiction and Philosophy Morality, Madness, and (Un)freedom
170 delete
deleteSlippery Subjects
171 Works Cited Index