Philosophy and Film

Bridging Divides
Herausgeber: Rawls, Christina; Gouveia, Steven S; Neiva, Diana

• Gebundenes Buch

Produktbeschreibung

This book brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 390
• Erscheinungstermin: 29. April 2019
• Englisch
• Abmessung: 231mm x 157mm x 20mm
• Gewicht: 522g
• ISBN-13: 9781138351691
• ISBN-10: 1138351695
• Artikelnr.: 56893046

Autorenporträt

Christina Rawls is Professor of Philosophy at Roger Williams University, USA. Diana Neiva is a Researcher at the Mind, Language, and Action Group of the Institute of Philosophy of the University of Porto, Portugal. Steven S. Gouveia is a Ph.D. candidate at the University of Minho, Portugal. He is the co-editor of Perception, Cognition, and Aesthetics (forthcoming, Routledge).

Inhaltsangabe

Preface
Thomas E. Wartenberg
Part I: The Nature of Film
Chapter 1: (Collapsed) Seeing-In and the (Im-)Possibility of Progress in
Analytic Philosophy (of Film)
Malcolm Turvey
Chapter 2: The World Viewed and the World Lived: Stanley Cavell and Film as
the Moving Image of Skepticism
Jônadas Techio
Chapter 3: The Morph-Image: Four Forms of Post-Cinema
Steen Ledet Christiansen
Chapter 4: Deleuze's Cronosigns
Susana Viegas
Part II: The Film as Philosophy Debate
Chapter 5: The Bold Thesis Retired: On Cinema as Philosophy
Paisley Livingston
Chapter 6: Film as Philosophical Thought Experiment: Some Challenges and
Opportunities
Tom McClelland
Chapter 7: Are there Definite Objections to Film as Philosophy?
Metaphilosophical considerations
Diana Neiva
Chapter 8: Philosophical Dimensions of Cinematic Experience
David Davies
Part III: The Philosophical Value of Film
Chapter 9: Philosophical Experience and Experimental Film
Christopher Falzon
Chapter 10: Filmmaking as self-writing: Federico Fellini's 8¿ (1963)
Roberto Mordacci
Chapter 11: Film and Ethics
Robert Sinnerbrink
Part IV: Cinematic Experience
Chapter 12: Movies, Narration and the Emotions
Noël Carroll
Chapter 13: Predictive Processing and the Experimental Solution for the
Paradox of Fiction
Dina Mendonça
Chapter 14: The lived experience of Motion Pictures: A Phenomenological
Approach to Cinema
Hanna Trindade
Part V: Interpreting Cinematic Works
Chapter 15: The Blade Runner Question: From Philosophy to Myth
Deborah Knight
Chapter 16: Race, Bodies and Lived Realities in Get Out and Black Panther
Mary K. Bloodsworth-Lugo
Chapter 17: Transnational Bio-Political Motives in Postmodern Cinema: iek
and Badiou on Udi Aloni's Forgiveness and Local Angel
Oana Serban
Part VI: Further Debates
Chapter 18: Cinema and Television: The Art and Industry of Joint Works
Inês Rebanda Coelho
Chapter 19: Towards a Natural Screen Philosophy
Hunter Vaughn
Chapter 20: Metaphysical Alter-Egos: Matheson, Dunne and the View From
Somewhere
John Ó Maoilearca