This is a philosophical discussion of cinema's power to create positive illusions and myths, drawing on Nietzsche, Kracauer, and Deleuze.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sylvie Magerstadt is Lecturer in Media Cultures at the University of Hertfordshire.
Inhaltsangabe
Acknowledgments Abbreviations Introduction: Philosophy, Myth, Spectacle Part I: How Real is Reality? - A Review on the Relation of Reality, Art and Illusions 1. From Dream Factory to Cathedrals of Pop Culture: Mythological, Religious and Ideological Approaches to Cinema 2. The Realm of the Real: Reality, Images and Cinematic Realism 3. Back to the Future? Contemporary Cinema and the Challenges for Theorists Part II: May We Really Believe in Hollywood? - The Creation of Modern Myths 4. Redemption Through Illusion: Cinematic Myths 5. Healthy illusions: Hollywood's Realism and the Return of the Epics 6. Possible Worlds, Impossible Narratives?: The Potentials and Limits of Digital Storytelling Epilogue: Further Reflections and Further Directions Bibliography Filmography Index
Acknowledgments Abbreviations Introduction: Philosophy, Myth, Spectacle Part I: How Real is Reality? - A Review on the Relation of Reality, Art and Illusions 1. From Dream Factory to Cathedrals of Pop Culture: Mythological, Religious and Ideological Approaches to Cinema 2. The Realm of the Real: Reality, Images and Cinematic Realism 3. Back to the Future? Contemporary Cinema and the Challenges for Theorists Part II: May We Really Believe in Hollywood? - The Creation of Modern Myths 4. Redemption Through Illusion: Cinematic Myths 5. Healthy illusions: Hollywood's Realism and the Return of the Epics 6. Possible Worlds, Impossible Narratives?: The Potentials and Limits of Digital Storytelling Epilogue: Further Reflections and Further Directions Bibliography Filmography Index
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