Andrew Kania

Philosophy of Western Music

A Contemporary Introduction

• Gebundenes Buch

Produktbeschreibung

The first book-length introduction to the philosophy of Western music to fully integrate consideration of popular music and hybrid musical forms, especially song.

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Produktdetails

• Verlag: Taylor & Francis Ltd (Sales)
• Seitenzahl: 338
• Erscheinungstermin: 28. April 2020
• Englisch
• Abmessung: 229mm x 152mm x 21mm
• Gewicht: 653g
• ISBN-13: 9781138628724
• ISBN-10: 1138628727
• Artikelnr.: 69944038

Autorenporträt

Andrew Kania is Professor of Philosophy at Trinity University in San Antonio; his principal research is in the philosophy of music, film, and literature. He is the editor of Memento (in Routledge's series Philosophers on Film, 2009) and co-editor, with Theodore Gracyk, of The Routledge Companion to Philosophy and Music (2011).

Inhaltsangabe

1. Song and the medium of music 2. Emotions in the music 3. Emotions in the
listener 4. Musical understanding 5. The value of music 6. Performance 7.
Authenticity 8. Improvisation 9. Recordings 10. Music and morality 11. The
definition of music

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1. Song and the medium of music 2. Emotions in the music 3. Emotions in the listener 4. Musical understanding 5. The value of music 6. Performance 7. Authenticity 8. Improvisation 9. Recordings 10. Music and morality 11. The definition of music

Rezensionen

"Andrew Kania's Philosophy of Western Music is the book that I and my students have been waiting for. Scholarly, lucid, and pleasingly opinionated, it will both enlighten and enthuse anyone with a serious interest in the analytic philosophy of music."
Julian Dodd, University of Manchester

"Andrew Kania has pulled off the hat trick of presenting a thoughtful overview of philosophy of Western music, interweaving it with an introduction to music theory, and keeping his own voice clear throughout. The target audience is an undergraduate philosophy class, but the general concepts are so clearly exemplified that this text could easily be used by music-appreciating students with no philosophical background . . . . Kania fairly and fully presents the panoply of analytic music philosophy, with meticulous references and a delightfully nimble style."
Jennifer Judkins, in The Journal of Aesthetics and Art Criticism

"Kania's book is an excellent introduction to the philosophy of music and I wish I had it on hand a couple of years ago when I last taught the subject. . . . Thinking of teaching philosophy of music and need a textbook? Reach for this one." Anton Killin, in Teaching Philosophy