Shirley Read, Mike Simmons (Photographic artist with a PhD in photographic practi
Photographers and Research
The Role of Research in Contemporary Photographic Practice
Shirley Read, Mike Simmons (Photographic artist with a PhD in photographic practi
Photographers and Research
The Role of Research in Contemporary Photographic Practice
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This ground-breaking book situates research at the heart of photographic practice, asking the key question: What does research mean for photographers?
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This ground-breaking book situates research at the heart of photographic practice, asking the key question: What does research mean for photographers?
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 274
- Erscheinungstermin: 20. Dezember 2016
- Englisch
- Abmessung: 231mm x 193mm x 15mm
- Gewicht: 768g
- ISBN-13: 9781138844322
- ISBN-10: 1138844322
- Artikelnr.: 45713955
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 274
- Erscheinungstermin: 20. Dezember 2016
- Englisch
- Abmessung: 231mm x 193mm x 15mm
- Gewicht: 768g
- ISBN-13: 9781138844322
- ISBN-10: 1138844322
- Artikelnr.: 45713955
Shirley Read is an independent curator based in London. She currently curates exhibitions for the Idea Store Canary Wharf during the Photomonth International Photography Festival. She has been interviewing photographers about their lives and work for the Oral History of British Photography (part of the National Sound Archive at the British Library) for twenty years. She teaches at every level of photographic practice and her book Exhibiting Photography (Focal Press 2008 & 2014) has been published in Chinese and English. Mike Simmons is a photographic artist, author and Leader of the taught Master's Program in Photography at De Montfort University. His research interests are centered on the development of innovative approaches to exploring issues of social concern, through the application of creative photography. He has contributed to numerous exhibitions, conferences and symposia in the UK, Europe, Australia and the USA.
1. Foreword (Peter Kennard)
2. Preface (Shirley Read and Mike Simmons)
3. Case Study: Edmund Clark
4. Case Study: Hannah Collins
5. Case Study: Subhankar Banerjee
6. Case Study: John Darwell
7. Case Study: Grace Lau
8. Case Study: Judy Harrison
9. Case Study: Tom Hunter
10. Case Study: Ingrid Pollard
11. Case Study: Deborah Padfield
12. Case Study: Susan Derges
13. Case Study: Mandy Barker
14. Case Study: Martin Hartley
15. Case Study: Deborah Bright
16. Case Study: Simon Norfolk
17. Case Study: Research in Higher Education, Thu Thuy Pham, Charlotte Fox,
and Maria Paschalidou
18. Between Inner and Outer Worlds (Patricia Townsend)
19. Finding and Knowing; Thinking about ideas (Shirley Read)
20. A Photographer in the Archive (Janina Struk)
21. Collaborative Working (Conohar Scott)
22. Documenting the Process (Mike Simmons)
23. Research and Audience (Sian Bonnell)
24. A Curators Perspective (Camilla Brown)
2. Preface (Shirley Read and Mike Simmons)
3. Case Study: Edmund Clark
4. Case Study: Hannah Collins
5. Case Study: Subhankar Banerjee
6. Case Study: John Darwell
7. Case Study: Grace Lau
8. Case Study: Judy Harrison
9. Case Study: Tom Hunter
10. Case Study: Ingrid Pollard
11. Case Study: Deborah Padfield
12. Case Study: Susan Derges
13. Case Study: Mandy Barker
14. Case Study: Martin Hartley
15. Case Study: Deborah Bright
16. Case Study: Simon Norfolk
17. Case Study: Research in Higher Education, Thu Thuy Pham, Charlotte Fox,
and Maria Paschalidou
18. Between Inner and Outer Worlds (Patricia Townsend)
19. Finding and Knowing; Thinking about ideas (Shirley Read)
20. A Photographer in the Archive (Janina Struk)
21. Collaborative Working (Conohar Scott)
22. Documenting the Process (Mike Simmons)
23. Research and Audience (Sian Bonnell)
24. A Curators Perspective (Camilla Brown)
1. Foreword (Peter Kennard)
2. Preface (Shirley Read and Mike Simmons)
3. Case Study: Edmund Clark
4. Case Study: Hannah Collins
5. Case Study: Subhankar Banerjee
6. Case Study: John Darwell
7. Case Study: Grace Lau
8. Case Study: Judy Harrison
9. Case Study: Tom Hunter
10. Case Study: Ingrid Pollard
11. Case Study: Deborah Padfield
12. Case Study: Susan Derges
13. Case Study: Mandy Barker
14. Case Study: Martin Hartley
15. Case Study: Deborah Bright
16. Case Study: Simon Norfolk
17. Case Study: Research in Higher Education, Thu Thuy Pham, Charlotte Fox,
and Maria Paschalidou
18. Between Inner and Outer Worlds (Patricia Townsend)
19. Finding and Knowing; Thinking about ideas (Shirley Read)
20. A Photographer in the Archive (Janina Struk)
21. Collaborative Working (Conohar Scott)
22. Documenting the Process (Mike Simmons)
23. Research and Audience (Sian Bonnell)
24. A Curators Perspective (Camilla Brown)
2. Preface (Shirley Read and Mike Simmons)
3. Case Study: Edmund Clark
4. Case Study: Hannah Collins
5. Case Study: Subhankar Banerjee
6. Case Study: John Darwell
7. Case Study: Grace Lau
8. Case Study: Judy Harrison
9. Case Study: Tom Hunter
10. Case Study: Ingrid Pollard
11. Case Study: Deborah Padfield
12. Case Study: Susan Derges
13. Case Study: Mandy Barker
14. Case Study: Martin Hartley
15. Case Study: Deborah Bright
16. Case Study: Simon Norfolk
17. Case Study: Research in Higher Education, Thu Thuy Pham, Charlotte Fox,
and Maria Paschalidou
18. Between Inner and Outer Worlds (Patricia Townsend)
19. Finding and Knowing; Thinking about ideas (Shirley Read)
20. A Photographer in the Archive (Janina Struk)
21. Collaborative Working (Conohar Scott)
22. Documenting the Process (Mike Simmons)
23. Research and Audience (Sian Bonnell)
24. A Curators Perspective (Camilla Brown)