Shawn Michelle Smith is Professor of Visual and Critical Studies at the School of the Art Institute of Chicago; author of At the Edge of Sight: Photography and the Unseen and Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture;¿and coeditor of Photography and the Optical Unconscious and Pictures and Progress: Early Photography and the Making of African American Identity; all also published by Duke University Press.
Shawn Michelle Smith is Professor of Visual and Critical Studies at the School of the Art Institute of Chicago; author of At the Edge of Sight: Photography and the Unseen and Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture;¿and coeditor of Photography and the Optical Unconscious and Pictures and Progress: Early Photography and the Making of African American Identity; all also published by Duke University Press.
Shawn Michelle Smith is Professor of Visual and Critical Studies at the School of the Art Institute of Chicago; author of At the Edge of Sight: Photography and the Unseen and Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture; and coeditor of Photography and the Optical Unconscious and Pictures and Progress: Early Photography and the Making of African American Identity; all also published by Duke University Press.
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Acknowledgments vii Introduction: Photographic Returns 1 1. Looking Forward and Looking Back: Rashid Johnson and Frederick Douglass on Photography 16 2. Photographic Remains: Sally Mann at Antietam 34 3. The Scene of the Crime: Deborah Luster 61 4. Photographic Referrals: Lorna Simpson's 9 Props 93 5. Afterimages: Jason Lazarus 112 6. Photographic Reenactments: Carrie Mae Weems's Constructing History 133 7. False Returns: Taryn Simon's The Innocents 152 Coda. A Glimpse Forward: Dawoud Bey's The Birmingham Project 170 Notes 175 Bibliography 213 Index 229
Acknowledgments vii Introduction: Photographic Returns 1 1. Looking Forward and Looking Back: Rashid Johnson and Frederick Douglass on Photography 16 2. Photographic Remains: Sally Mann at Antietam 34 3. The Scene of the Crime: Deborah Luster 61 4. Photographic Referrals: Lorna Simpson's 9 Props 93 5. Afterimages: Jason Lazarus 112 6. Photographic Reenactments: Carrie Mae Weems's Constructing History 133 7. False Returns: Taryn Simon's The Innocents 152 Coda. A Glimpse Forward: Dawoud Bey's The Birmingham Project 170 Notes 175 Bibliography 213 Index 229
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