Abigail Solomon-Godeau

Photography After Photography

Gender, Genre, History
Herausgeber: Parsons, Sarah

• Gebundenes Buch

Produktbeschreibung

Abigail Solomon-Godeau is Professor Emerita of the Department of History of Art and Architecture at the University of California, Santa Barbara, and the author of several books, including Photography at the Dock: Essays on Photographic History, Institutions, and Practices; Male Trouble: A Crisis in Representation; Rosemary Laing; Chair à canons: Photographie, discours, féminisme; and coauthor of Birgit Jürgenssen. ¿ Sarah Parsons is Associate Professor of Art History at York University.

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Produktdetails

• Verlag: Duke University Press
• Seitenzahl: 288
• Erscheinungstermin: 15. Mai 2017
• Englisch
• Abmessung: 236mm x 156mm x 25mm
• Gewicht: 749g
• ISBN-13: 9780822362517
• ISBN-10: 0822362511
• Artikelnr.: 45053365

Autorenporträt

Abigail Solomon-Godeau

Inhaltsangabe

List of Illustrations vii
Preface. May the Bridges We Burn Light the Way / Sarah Parsons ix
Introduction 1
1. Inside/Out (1995) 10
2. Written on the Body (1997) 27
3. The Family of Man: Refurbishing Humanism for a Postmodern Age (2004) 43
4. Torture at Abu Ghraib: In and Out of the Media (2007) 61
5. Harry Callahan: Gender, Genre, and Street Photography (2007) 77
6. Caught Looking: Susan Meiselas's Carnival Strippers (2008) 94
7. Framing Landscape Photography (2010) 107
8. The Ghosts of Documentary (2012) 123
9. Inventing Vivian Maier: Categories, Careers, and Commerce (2013) 141
10. Robert Mapplethorpe: Whitewashed and Polished (2014) 156
11. Body Double (2014) 171
12. The Coming of Age: Cindy Sherman, Feminism, and Art History (2014) 189
Notes 207
Bibliography 237
Index 249