Photography and Failure
One Medium's Entanglement with Flops, Underdogs and Disappointments
Herausgeber: Belden-Adams, Kris
Photography and Failure
One Medium's Entanglement with Flops, Underdogs and Disappointments
Herausgeber: Belden-Adams, Kris
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Exploring a range of failures - individual and institutional, technological and historiographical - Photography and Failure asks what it means to fail and considers how this narrative of failure has shaped our understanding of photography.
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Exploring a range of failures - individual and institutional, technological and historiographical - Photography and Failure asks what it means to fail and considers how this narrative of failure has shaped our understanding of photography.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 248
- Erscheinungstermin: 5. Oktober 2017
- Englisch
- Abmessung: 236mm x 155mm x 23mm
- Gewicht: 680g
- ISBN-13: 9781474293389
- ISBN-10: 1474293387
- Artikelnr.: 47625248
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 248
- Erscheinungstermin: 5. Oktober 2017
- Englisch
- Abmessung: 236mm x 155mm x 23mm
- Gewicht: 680g
- ISBN-13: 9781474293389
- ISBN-10: 1474293387
- Artikelnr.: 47625248
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Kris Belden-Adams is Assistant Professor of Art at the University of Mississippi, USA. Her scholarly work on the history of art, photography and visual culture has been published by the Metropolitan Museum of Art, Photographies, Southern Studies, Afterimage: The Journal of Media Arts and Cultural Criticism, The International Journal of Technology, Knowledge and Society and Cabinet.
List of FiguresNotes on Contributors1. Introduction: Noble Failure: Photography as Tragic MuseKris Belden-Adams
University of Mississippi
USA2. 'Nothing Worthy of Notice'?: The Daguerreian Gallery of T. P. and D. C. Collins in PhiladelphiaAnne Verplanck
Pennsylvania State University
USA3. Rodchenko's Photographic CommunismTodd Cronan
Emory University
USA4.Exile and Erasure: Forgetting Ilse BingDonna West Brett
University of Sydney
Australia5. Mechanisms of Institutional Failure
or the Impossible National Museum of French PhotographyEléonore Challine
Ecole Normale Supérieure (ENS) de Cachan
France6. Crimes Seen and Unseen: Fantasies and Failures of Photographic Truth in Joel Sternfeld's On This Site and Trevor Paglen's Limit TelephotographyCatherine Zuromskis
Rochester Institute of Technology
USA7. Toward an Ontology of African Studio PortraitureAllison Moore
University of South Florida
USA8. Composita
the 'Mascot' of the Smith College Class of 1886: Picturing Sisterhood
Social Caste
Gender RolesKris Belden-Adams
University of Mississippi
USA9. Capturing the Invisible: Affect
Loss and the Problematics of the Panoramic Image in Josef Sudek's Sad LandscapesAmy Hughes
University of Wisconsin-Madison
USA10. Default Delete: Photographic Archives in a Digital AgeKate Palmer Albers
University of Arizona
USA11. Copies and Clouds: Charles Nègre and the Death of EmulationJacob W. Lewis
University of Rochester
USA12. Thirty Times Failed: Valério Vieira and Experimental Photography in BrazilCezar Tadeu Bartholomeu
Universidade Federal do Rio de Janeiro
Brazil13. Success and Failure in African PhotographyKevin Mulhearn
University of New Mexico
USA14. Afterword: Failure
Beautiful FailureGeoffrey Batchen
Victoria University of Wellington
New ZealandBibliographyIndex
University of Mississippi
USA2. 'Nothing Worthy of Notice'?: The Daguerreian Gallery of T. P. and D. C. Collins in PhiladelphiaAnne Verplanck
Pennsylvania State University
USA3. Rodchenko's Photographic CommunismTodd Cronan
Emory University
USA4.Exile and Erasure: Forgetting Ilse BingDonna West Brett
University of Sydney
Australia5. Mechanisms of Institutional Failure
or the Impossible National Museum of French PhotographyEléonore Challine
Ecole Normale Supérieure (ENS) de Cachan
France6. Crimes Seen and Unseen: Fantasies and Failures of Photographic Truth in Joel Sternfeld's On This Site and Trevor Paglen's Limit TelephotographyCatherine Zuromskis
Rochester Institute of Technology
USA7. Toward an Ontology of African Studio PortraitureAllison Moore
University of South Florida
USA8. Composita
the 'Mascot' of the Smith College Class of 1886: Picturing Sisterhood
Social Caste
Gender RolesKris Belden-Adams
University of Mississippi
USA9. Capturing the Invisible: Affect
Loss and the Problematics of the Panoramic Image in Josef Sudek's Sad LandscapesAmy Hughes
University of Wisconsin-Madison
USA10. Default Delete: Photographic Archives in a Digital AgeKate Palmer Albers
University of Arizona
USA11. Copies and Clouds: Charles Nègre and the Death of EmulationJacob W. Lewis
University of Rochester
USA12. Thirty Times Failed: Valério Vieira and Experimental Photography in BrazilCezar Tadeu Bartholomeu
Universidade Federal do Rio de Janeiro
Brazil13. Success and Failure in African PhotographyKevin Mulhearn
University of New Mexico
USA14. Afterword: Failure
Beautiful FailureGeoffrey Batchen
Victoria University of Wellington
New ZealandBibliographyIndex
List of FiguresNotes on Contributors1. Introduction: Noble Failure: Photography as Tragic MuseKris Belden-Adams
University of Mississippi
USA2. 'Nothing Worthy of Notice'?: The Daguerreian Gallery of T. P. and D. C. Collins in PhiladelphiaAnne Verplanck
Pennsylvania State University
USA3. Rodchenko's Photographic CommunismTodd Cronan
Emory University
USA4.Exile and Erasure: Forgetting Ilse BingDonna West Brett
University of Sydney
Australia5. Mechanisms of Institutional Failure
or the Impossible National Museum of French PhotographyEléonore Challine
Ecole Normale Supérieure (ENS) de Cachan
France6. Crimes Seen and Unseen: Fantasies and Failures of Photographic Truth in Joel Sternfeld's On This Site and Trevor Paglen's Limit TelephotographyCatherine Zuromskis
Rochester Institute of Technology
USA7. Toward an Ontology of African Studio PortraitureAllison Moore
University of South Florida
USA8. Composita
the 'Mascot' of the Smith College Class of 1886: Picturing Sisterhood
Social Caste
Gender RolesKris Belden-Adams
University of Mississippi
USA9. Capturing the Invisible: Affect
Loss and the Problematics of the Panoramic Image in Josef Sudek's Sad LandscapesAmy Hughes
University of Wisconsin-Madison
USA10. Default Delete: Photographic Archives in a Digital AgeKate Palmer Albers
University of Arizona
USA11. Copies and Clouds: Charles Nègre and the Death of EmulationJacob W. Lewis
University of Rochester
USA12. Thirty Times Failed: Valério Vieira and Experimental Photography in BrazilCezar Tadeu Bartholomeu
Universidade Federal do Rio de Janeiro
Brazil13. Success and Failure in African PhotographyKevin Mulhearn
University of New Mexico
USA14. Afterword: Failure
Beautiful FailureGeoffrey Batchen
Victoria University of Wellington
New ZealandBibliographyIndex
University of Mississippi
USA2. 'Nothing Worthy of Notice'?: The Daguerreian Gallery of T. P. and D. C. Collins in PhiladelphiaAnne Verplanck
Pennsylvania State University
USA3. Rodchenko's Photographic CommunismTodd Cronan
Emory University
USA4.Exile and Erasure: Forgetting Ilse BingDonna West Brett
University of Sydney
Australia5. Mechanisms of Institutional Failure
or the Impossible National Museum of French PhotographyEléonore Challine
Ecole Normale Supérieure (ENS) de Cachan
France6. Crimes Seen and Unseen: Fantasies and Failures of Photographic Truth in Joel Sternfeld's On This Site and Trevor Paglen's Limit TelephotographyCatherine Zuromskis
Rochester Institute of Technology
USA7. Toward an Ontology of African Studio PortraitureAllison Moore
University of South Florida
USA8. Composita
the 'Mascot' of the Smith College Class of 1886: Picturing Sisterhood
Social Caste
Gender RolesKris Belden-Adams
University of Mississippi
USA9. Capturing the Invisible: Affect
Loss and the Problematics of the Panoramic Image in Josef Sudek's Sad LandscapesAmy Hughes
University of Wisconsin-Madison
USA10. Default Delete: Photographic Archives in a Digital AgeKate Palmer Albers
University of Arizona
USA11. Copies and Clouds: Charles Nègre and the Death of EmulationJacob W. Lewis
University of Rochester
USA12. Thirty Times Failed: Valério Vieira and Experimental Photography in BrazilCezar Tadeu Bartholomeu
Universidade Federal do Rio de Janeiro
Brazil13. Success and Failure in African PhotographyKevin Mulhearn
University of New Mexico
USA14. Afterword: Failure
Beautiful FailureGeoffrey Batchen
Victoria University of Wellington
New ZealandBibliographyIndex