This book studies the relationship between photography and history in colonial Southern Africa, using a series of encounters with Southern African photographic archives to reflect on photography as a distinct historical form.
This book studies the relationship between photography and history in colonial Southern Africa, using a series of encounters with Southern African photographic archives to reflect on photography as a distinct historical form.
Lorena Rizzo is a historian at the University of Basel, Switzerland. She has taught in universities in Switzerland, Germany, Namibia, South Africa and the USA, curated photographic exhibitions, and organised public history projects across Europe and Southern Africa.
Inhaltsangabe
1 Assemblage: Photography and colonial policing in German South West Africa 1910-1913. 2 Bodies and things: Photography and the person in South Africa 1920s-1960s. 3 Augenblick: The moment in Namibian photography 1930s-1950s. 4 Heterotopia: Aerial photography and mapping in the Eastern Cape 1930s-1960s. 5 Presence: The Breakwater prison albums Cape Town 1890s-1900s.
1 Assemblage: Photography and colonial policing in German South West Africa 1910-1913. 2 Bodies and things: Photography and the person in South Africa 1920s-1960s. 3 Augenblick: The moment in Namibian photography 1930s-1950s. 4 Heterotopia: Aerial photography and mapping in the Eastern Cape 1930s-1960s. 5 Presence: The Breakwater prison albums Cape Town 1890s-1900s.
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