This volume is an account of the stage and screen practice of Australian photographer and film maker Frank Hurley, in the context of early twentieth-century mass media.
This volume is an account of the stage and screen practice of Australian photographer and film maker Frank Hurley, in the context of early twentieth-century mass media.
Robert Dixon is professor of Australian literature at the University of Sydney. He is a general editor in Sydney University Press' Sydney Studies in Australian Literature series.
Inhaltsangabe
Illustrations Abbreviations Acknowledgements Introduction: Australia's Embrace of Colonial Modernity 1. 'The Home of the Blizzard': Douglas Mawson's Synchronized Lecture Entertainment 2. Guided Spectatorship: Exhibiting the Great War 3. Touring the Nation: Shackleton's 'Marvellous Moving Pictures' and the Australian Season of 'In the Grip of the Polar Pack-Ice' 4. Entr'acte: 'Sir Ross Smith's Flight', Aerial Vision and Colonial Modernity 5. Colonial Modernity and Its Others: 'Pearls and Savages' as a Multi-media Project Conclusion Notes Bibliography Index
Illustrations Abbreviations Acknowledgements Introduction: Australia's Embrace of Colonial Modernity 1. 'The Home of the Blizzard': Douglas Mawson's Synchronized Lecture Entertainment 2. Guided Spectatorship: Exhibiting the Great War 3. Touring the Nation: Shackleton's 'Marvellous Moving Pictures' and the Australian Season of 'In the Grip of the Polar Pack-Ice' 4. Entr'acte: 'Sir Ross Smith's Flight', Aerial Vision and Colonial Modernity 5. Colonial Modernity and Its Others: 'Pearls and Savages' as a Multi-media Project Conclusion Notes Bibliography Index
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