Photography in Africa
Ethnographic Perspectives
Herausgeber: Vokes, Richard
Photography in Africa
Ethnographic Perspectives
Herausgeber: Vokes, Richard
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Gives an ethnographic account of the complexities of the use of photography in Africa, both historically and in contemporary practice.
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Gives an ethnographic account of the complexities of the use of photography in Africa, both historically and in contemporary practice.
Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- Seitenzahl: 288
- Erscheinungstermin: 18. Juli 2013
- Englisch
- Abmessung: 254mm x 181mm x 17mm
- Gewicht: 779g
- ISBN-13: 9781847010537
- ISBN-10: 1847010539
- Artikelnr.: 37011282
- Verlag: Boydell & Brewer
- Seitenzahl: 288
- Erscheinungstermin: 18. Juli 2013
- Englisch
- Abmessung: 254mm x 181mm x 17mm
- Gewicht: 779g
- ISBN-13: 9781847010537
- ISBN-10: 1847010539
- Artikelnr.: 37011282
Richard Vokes
Introduction
Part I Photography & the Ethnographic Encounter
Richard Vokes Double Alienation: Evans
Pritchard's Zande & Nuer Photographs in Comparative Perspective
Christopher Morton Photographing 'the Bridge': Product & Process in the Analysis of a Social Situation in Non
modern Zululand
Chris Wingfield Frontier Photographs: Northern Kenya & the Paul Baxter Collection
Neil Carrier and Kimo Quaintance Memories of a Blue Nile Home: Still Picture, Moving Contexts & Multimedia Linkage
Wendy James Memories of a Blue Nile Home: Still Picture, Moving Contexts & Multimedia Linkage
Part II Picturing the Nation: Photography, Memory & Resistance
Judith Aston Emptying the Gallery: The Archive's Fuller Circle
Erin Haney 'Ca Bouscoulait!': Democratization & Photography in Senegal
Jennifer Bajorek 'A Once & Future Eden': Gorongosa National Park & the Making of Mozambique
Katie McKeown Reflections on Urban Space, the Visual & Political Affect in Kabila's Kinshasa
Part III The Social Life of Photographs
Katrien Pype On 'the Ultimate Patronage Machine': Photography & Substantial Relations in Rural South
western Uganda
Richard Vokes 'The Terror of the Feast': Photography, Textiles & Memory in Weddings along the East African Coast
Heike Behrend Ceremonies, Sitting Rooms & Albums: How Okiek Displayed Photographs in the 1990s
Corinne Kratz
Part I Photography & the Ethnographic Encounter
Richard Vokes Double Alienation: Evans
Pritchard's Zande & Nuer Photographs in Comparative Perspective
Christopher Morton Photographing 'the Bridge': Product & Process in the Analysis of a Social Situation in Non
modern Zululand
Chris Wingfield Frontier Photographs: Northern Kenya & the Paul Baxter Collection
Neil Carrier and Kimo Quaintance Memories of a Blue Nile Home: Still Picture, Moving Contexts & Multimedia Linkage
Wendy James Memories of a Blue Nile Home: Still Picture, Moving Contexts & Multimedia Linkage
Part II Picturing the Nation: Photography, Memory & Resistance
Judith Aston Emptying the Gallery: The Archive's Fuller Circle
Erin Haney 'Ca Bouscoulait!': Democratization & Photography in Senegal
Jennifer Bajorek 'A Once & Future Eden': Gorongosa National Park & the Making of Mozambique
Katie McKeown Reflections on Urban Space, the Visual & Political Affect in Kabila's Kinshasa
Part III The Social Life of Photographs
Katrien Pype On 'the Ultimate Patronage Machine': Photography & Substantial Relations in Rural South
western Uganda
Richard Vokes 'The Terror of the Feast': Photography, Textiles & Memory in Weddings along the East African Coast
Heike Behrend Ceremonies, Sitting Rooms & Albums: How Okiek Displayed Photographs in the 1990s
Corinne Kratz
Introduction
Part I Photography & the Ethnographic Encounter
Richard Vokes Double Alienation: Evans
Pritchard's Zande & Nuer Photographs in Comparative Perspective
Christopher Morton Photographing 'the Bridge': Product & Process in the Analysis of a Social Situation in Non
modern Zululand
Chris Wingfield Frontier Photographs: Northern Kenya & the Paul Baxter Collection
Neil Carrier and Kimo Quaintance Memories of a Blue Nile Home: Still Picture, Moving Contexts & Multimedia Linkage
Wendy James Memories of a Blue Nile Home: Still Picture, Moving Contexts & Multimedia Linkage
Part II Picturing the Nation: Photography, Memory & Resistance
Judith Aston Emptying the Gallery: The Archive's Fuller Circle
Erin Haney 'Ca Bouscoulait!': Democratization & Photography in Senegal
Jennifer Bajorek 'A Once & Future Eden': Gorongosa National Park & the Making of Mozambique
Katie McKeown Reflections on Urban Space, the Visual & Political Affect in Kabila's Kinshasa
Part III The Social Life of Photographs
Katrien Pype On 'the Ultimate Patronage Machine': Photography & Substantial Relations in Rural South
western Uganda
Richard Vokes 'The Terror of the Feast': Photography, Textiles & Memory in Weddings along the East African Coast
Heike Behrend Ceremonies, Sitting Rooms & Albums: How Okiek Displayed Photographs in the 1990s
Corinne Kratz
Part I Photography & the Ethnographic Encounter
Richard Vokes Double Alienation: Evans
Pritchard's Zande & Nuer Photographs in Comparative Perspective
Christopher Morton Photographing 'the Bridge': Product & Process in the Analysis of a Social Situation in Non
modern Zululand
Chris Wingfield Frontier Photographs: Northern Kenya & the Paul Baxter Collection
Neil Carrier and Kimo Quaintance Memories of a Blue Nile Home: Still Picture, Moving Contexts & Multimedia Linkage
Wendy James Memories of a Blue Nile Home: Still Picture, Moving Contexts & Multimedia Linkage
Part II Picturing the Nation: Photography, Memory & Resistance
Judith Aston Emptying the Gallery: The Archive's Fuller Circle
Erin Haney 'Ca Bouscoulait!': Democratization & Photography in Senegal
Jennifer Bajorek 'A Once & Future Eden': Gorongosa National Park & the Making of Mozambique
Katie McKeown Reflections on Urban Space, the Visual & Political Affect in Kabila's Kinshasa
Part III The Social Life of Photographs
Katrien Pype On 'the Ultimate Patronage Machine': Photography & Substantial Relations in Rural South
western Uganda
Richard Vokes 'The Terror of the Feast': Photography, Textiles & Memory in Weddings along the East African Coast
Heike Behrend Ceremonies, Sitting Rooms & Albums: How Okiek Displayed Photographs in the 1990s
Corinne Kratz