This book examines the photographyâ s unique capacity to represent time with a degree of elasticity and abstraction. Part object-study, part cultural/philosophical history, it examines the mediumâ s ability to capture and sometimes "defy" time, while also traveling as objects across time-and-space nexuses.
This book examines the photographyâ s unique capacity to represent time with a degree of elasticity and abstraction. Part object-study, part cultural/philosophical history, it examines the mediumâ s ability to capture and sometimes "defy" time, while also traveling as objects across time-and-space nexuses.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kris Belden-Adams is an Assistant Professor of Art History at the University of Mississippi, and specializes in the history and theory of photography and contemporary art. She is the author of Photography, Eugenics, 'Aristogenics': Picturing Privilege (2019), and the editor and contributor of two chapters to the volume Photography and Failure: One Medium's Entanglement With Mishaps, Flops, and Disappointments (2017).
Inhaltsangabe
Chapter 1: Photography and Time Chapter 2: Photography, Instantaneity, and the "Frozen Moment" Chapter 3: The Fluidity of "Narrative Time" Chapter 4: Asynchronous, "Sculptural" Time and the Racing Photo Finish Chapter 5: A "Tapestry" of Synthetic, Hypothetical Digital Time: NASA's Whole-Earth Photogarphs as "Data Visaualizations" Chapter 6: Conclusions Index
Chapter 1: Photography and Time Chapter 2: Photography, Instantaneity, and the "Frozen Moment" Chapter 3: The Fluidity of "Narrative Time" Chapter 4: Asynchronous, "Sculptural" Time and the Racing Photo Finish Chapter 5: A "Tapestry" of Synthetic, Hypothetical Digital Time: NASA's Whole-Earth Photogarphs as "Data Visaualizations" Chapter 6: Conclusions Index
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