Hilde van Gelder, Helen Westgeest

Photography Theory in Historical Perspective

• Gebundenes Buch

Produktbeschreibung

Photography Theory in Historical Perspective: Case Studies from Contemporary Art aims to contribute to the understanding of the multifaceted and complex character of the photographic medium by dealing with various case studies selected from photographic practices in contemporary art, discussed in the context of views and theories of photography from its inception. * uses case studies to explain photographic practices in contemporary art and place them in the context of theory * presents current debates on theory of photography through comparisons to research of other visual media * appicable to vernacular and documentary photography as well as art photography

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Produktdetails

• Verlag: John Wiley & Sons / Wiley
• New
• Seitenzahl: 280
• Erscheinungstermin: April 2011
• Englisch
• Abmessung: 235mm x 157mm x 21mm
• Gewicht: 625g
• ISBN-13: 9781405191616
• ISBN-10: 1405191619
• Artikelnr.: 33239109

Autorenporträt

Hilde Van Gelder is editor of the Lieven Gevaert Series. She has co-edited several books inthe series, including Photography Between Poetry and Politics: The Critical Position of the Photographic Medium in Contemporary Art (2008). Helen Westgeest is editor and one of the authors of Take Place: Photography and Place from Multiple Perspectives (2009).

Inhaltsangabe

Acknowledgments. Introduction. Structure of the Book What is a "Medium"?
Framing the Focus of the Book. Analog Versus Digital. The Overlap of
Themes. 1 Representation in Photography: The Competition with Painting.
Photography, Objectivity, and Representation. Straight and Composed
Photography: The Impact of the Digital. Photographs as Iconic Index of the
Reality Represented. Aura, Authenticity, and Reproducibility in
Photography. Painting-like Photographs Versus Photo-like Paintings as
Multimediating Pictures: The Question of Color. Sharp and Blurred
Photographs: Transparency and Hypermediacy. 2 Time in Photography: The
Rivalry with Time-Based Arts. Barthes's That-has-Been and Punctum. Time
Exposure and Instantaneity in Photographs. Serial Documentation and the
Decisive Moment. Presence and Absence in Photography: Replaced Images
Versus Objects of Contemplation. 3 Place and Space in Photography:
Positioning Toward Virtual Places and Spatial Objects. Constructed Places
in Relation to Places That Exist(ed). Monocular Perspective Investigated
Through Divergent and Poly-ocular Perspectives. Spatial Photographs as
Extension of the Photo as Two-dimensional Image. 4 Photography's Social
Function: The Documentary Legacy. "Photography Against the Grain".
Photography, Text, and Context. (Post-)Documentary Photographs as Art.
Color, and the Politics of (Re)Presentation. Critical Approaches of
Advertising and Fashion Photography. 5 Self-reflective Photography.
Photography as Record of the Reflection of Light. Reflections on Taking
Photographs: Photograph-Camera-Photographer. The Photograph as Product of a
Process of Reflection. Psychoanalytic Theories Projected in
Photography. From Self-reflective Digital Photography Back to Classical
Mirror Mythologies. Glossary. References. Credits and sources. Index.