""Photography's Other Histories" is a quite remarkable collection of essays on widely ranging photographic practices around the world. In its attention to local cultural inflections to a global technology, to the recuperation of colonial images by their latterday Fourth World subjects, and to the provocative antirealist aesthetics characterizing much postcolonial photography, this volume marks a watershed in both art history, anthropology, and cultural studies."--Lucien Taylor, The Film Study Center, Harvard University
""Photography's Other Histories" is a quite remarkable collection of essays on widely ranging photographic practices around the world. In its attention to local cultural inflections to a global technology, to the recuperation of colonial images by their latterday Fourth World subjects, and to the provocative antirealist aesthetics characterizing much postcolonial photography, this volume marks a watershed in both art history, anthropology, and cultural studies."--Lucien Taylor, The Film Study Center, Harvard UniversityHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Christopher Pinney is Reader in Anthropology and Visual Culture at University College London. He is author of Camera Indica: The Social Life of Indian Photographs and coeditor of Pleasure and the Nation and Beyond Aesthetics. Nicolas Peterson is Reader in Anthropology at the Australian National University. He is coeditor of Citizenship and Indigenous Australians: Changing Conceptions and Possibilities.
Inhaltsangabe
Acknowledgments vii Introduction: “How the Other Half . . .” / Christopher Pinney 1 1. Personal Archives Relating to Photographs / Jo-Anne Driessens 17 Growing Up with Aborigines / Michael Aird 23 When Is a Photograph Worth a Thousand Words? / Hulleah J. Tsinhnahjinnie 40 2. Visual Economies The Making of Professional “Savages”: From P.T. Barnam (1883) to the Sunday Times (1998) / Roslyn Poignant 55 Navajo and Photography / James Faris 85 The Japanese Colonial Eye: Science, Exploration, and Empire / Morris Law 100 The Changing Photographic Contract: Aborigines and Image Ethics / Nicolas Peterson 119 Supple Bodies: The Papua New Guinea Photographs of Captain Francis R. Barton, 1899–1907 / Christopher Wright 146 3. Self-Fashioning and Vernacular Modernism Figueroa Anznar and the Cusco Indigenistas: Photography and Modernism in Early-Twentieth Century Peru / Deborah Poole 173 Notes from the Surface of the Image: Photography, Postcolonialism, and Vernacular Modernism / Christopher Pinney 202 Imagined Journeys: The Likoni Ferry Photographers of Mombasa, Kenya / Heike Behrend 221 Yoruba Photography: How the Yoruba See Themselves / Stephen Sprague 240 Works Cited 261 Contributors 277 Index 279
Acknowledgments vii Introduction: “How the Other Half . . .” / Christopher Pinney 1 1. Personal Archives Relating to Photographs / Jo-Anne Driessens 17 Growing Up with Aborigines / Michael Aird 23 When Is a Photograph Worth a Thousand Words? / Hulleah J. Tsinhnahjinnie 40 2. Visual Economies The Making of Professional “Savages”: From P.T. Barnam (1883) to the Sunday Times (1998) / Roslyn Poignant 55 Navajo and Photography / James Faris 85 The Japanese Colonial Eye: Science, Exploration, and Empire / Morris Law 100 The Changing Photographic Contract: Aborigines and Image Ethics / Nicolas Peterson 119 Supple Bodies: The Papua New Guinea Photographs of Captain Francis R. Barton, 1899–1907 / Christopher Wright 146 3. Self-Fashioning and Vernacular Modernism Figueroa Anznar and the Cusco Indigenistas: Photography and Modernism in Early-Twentieth Century Peru / Deborah Poole 173 Notes from the Surface of the Image: Photography, Postcolonialism, and Vernacular Modernism / Christopher Pinney 202 Imagined Journeys: The Likoni Ferry Photographers of Mombasa, Kenya / Heike Behrend 221 Yoruba Photography: How the Yoruba See Themselves / Stephen Sprague 240 Works Cited 261 Contributors 277 Index 279
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