Piano Progress Studies Book 2 is part of The Waterman/Harewood Piano Series , which displays the thoroughness, imagination and sense of discovery that are key features of teaching. The excellence of the musical material, the clear printing and the attractive presentation of the books have been universally acclaimed. The series is established as one of the foremost modern piano methods. Author Fanny Waterman is one of the most outstanding piano teachers of our time. Joint founder, with Marion Harewood, of the Leeds International Piano Competition, her ever growing list of prize-winning pupils has brought her international renown. …mehr
Piano Progress Studies Book 2 is part of The Waterman/Harewood Piano Series , which displays the thoroughness, imagination and sense of discovery that are key features of teaching. The excellence of the musical material, the clear printing and the attractive presentation of the books have been universally acclaimed. The series is established as one of the foremost modern piano methods. Author Fanny Waterman is one of the most outstanding piano teachers of our time. Joint founder, with Marion Harewood, of the Leeds International Piano Competition, her ever growing list of prize-winning pupils has brought her international renown. Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Balancing Three Lines (Czerny, Carl) Couplets And Repeated Notes (Stamaty, Camille) Fluency Between The Hands (Czerny, Carl) Fluency Between Thumb And Fourth Finger (Gretchaninov, Alexander) Fluent Triplets (Czerny, Carl) Hand Over Thumb (Berens, Hermann) Hands Precisely Together At The Octave (Goedicke, Alexander) Left-hand Independence (Goedicke, Alexander) Left-hand Melody With Syncopated Accompaniment (Gurlitt, Cornelius) Left-hand Singing Tone (Gurlitt, Cornelius) Left-hand Staccato/Dynamic Levels (Bartok, Bela) 'Leger Line' Brilliance (Czerny, Carl) Lightness Of Touch (Burgmuller, Friedrich) Melodic Passagework (Czerny, Carl) Melodic Runs (Gurlitt, Cornelius) Neatness And Co-ordination (Goedicke, Alexander) Parallel Chords (F.W. (After Verdi) Rests And Repeated Notes (Gurlitt, Cornelius) Right-hand chords (Czerny, Carl) Right-hand Passagework (Czerny, Carl) Rotary Movement And Fifth Finger (Czerny, Carl) Rotary Movement In Contrary Motion (Goedicke, Alexander) Singing Tone (Duvernoy, Victor) Staccato And Slurs (Gnyesina, E.) The Five Fingers (Czerny, Carl) The Thumb Plays The Tune (Gurlitt, Cornelius)
Balancing Three Lines (Czerny, Carl) Couplets And Repeated Notes (Stamaty, Camille) Fluency Between The Hands (Czerny, Carl) Fluency Between Thumb And Fourth Finger (Gretchaninov, Alexander) Fluent Triplets (Czerny, Carl) Hand Over Thumb (Berens, Hermann) Hands Precisely Together At The Octave (Goedicke, Alexander) Left-hand Independence (Goedicke, Alexander) Left-hand Melody With Syncopated Accompaniment (Gurlitt, Cornelius) Left-hand Singing Tone (Gurlitt, Cornelius) Left-hand Staccato/Dynamic Levels (Bartok, Bela) 'Leger Line' Brilliance (Czerny, Carl) Lightness Of Touch (Burgmuller, Friedrich) Melodic Passagework (Czerny, Carl) Melodic Runs (Gurlitt, Cornelius) Neatness And Co-ordination (Goedicke, Alexander) Parallel Chords (F.W. (After Verdi) Rests And Repeated Notes (Gurlitt, Cornelius) Right-hand chords (Czerny, Carl) Right-hand Passagework (Czerny, Carl) Rotary Movement And Fifth Finger (Czerny, Carl) Rotary Movement In Contrary Motion (Goedicke, Alexander) Singing Tone (Duvernoy, Victor) Staccato And Slurs (Gnyesina, E.) The Five Fingers (Czerny, Carl) The Thumb Plays The Tune (Gurlitt, Cornelius)
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