Eminent art historian Suzanne Preston Blier uncovers a previously unknown history of the influences and creative process of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings.
Eminent art historian Suzanne Preston Blier uncovers a previously unknown history of the influences and creative process of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Suzanne Preston Blier is Allen Whitehill Clowes Professor of Fine Arts and of African and African American Studies at Harvard University and the author and editor of numerous books, including Art and Risk in Ancient Yoruba: Ife History, Power, and Identity c. 1300.
Inhaltsangabe
Preface ix Introduction 1 1. Setting, Sources, Titles, and Time 19 2. The Making of a Painting 52 3. Art in the Flesh 81 4. The Sorcerer's Apprentice 111 5. L'Oiseau du Bénin 152 6. The Global Brothel 185 7. Le Bordel Philosophique 222 Conclusions. The Creative Nexus 264 Acknowledgments 297 Sketchbooks: New Dating 300 Chronology 305 List of Illustrations 312 Notes 333 References 365 Index 415
Preface ix Introduction 1 1. Setting, Sources, Titles, and Time 19 2. The Making of a Painting 52 3. Art in the Flesh 81 4. The Sorcerer's Apprentice 111 5. L'Oiseau du Bénin 152 6. The Global Brothel 185 7. Le Bordel Philosophique 222 Conclusions. The Creative Nexus 264 Acknowledgments 297 Sketchbooks: New Dating 300 Chronology 305 List of Illustrations 312 Notes 333 References 365 Index 415
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