Contributors to this volume consider this important twentieth century work from a variety of methodological and topical perspectives, including psychoanalytical, feminist, historical, and post-colonial. The combined analysis suggests the painting's power and significance to art history as a whole and debates over Primitivism, sexuality, and stylistic change.
Contributors to this volume consider this important twentieth century work from a variety of methodological and topical perspectives, including psychoanalytical, feminist, historical, and post-colonial. The combined analysis suggests the painting's power and significance to art history as a whole and debates over Primitivism, sexuality, and stylistic change.
1. An introduction to Les Demoiselles d'Avignon 2. Les Demoiselles d'Avignon and the exhibition of 1988 3. Painting as trauma 4. 'To kill the nineteenth century': sex and spectatorship with Gertrude and Pablo 5. Colonialism, 'l'Art Negre' and Les Demoiselles d'Avignon 6. In another frame: Les Demoiselles d'Avignon and physical anthropology 7. 'Naked problems: Sub-African caricatures? Les Demoiselles d'Avignon, Africa and Cubism.
1. An introduction to Les Demoiselles d'Avignon 2. Les Demoiselles d'Avignon and the exhibition of 1988 3. Painting as trauma 4. 'To kill the nineteenth century': sex and spectatorship with Gertrude and Pablo 5. Colonialism, 'l'Art Negre' and Les Demoiselles d'Avignon 6. In another frame: Les Demoiselles d'Avignon and physical anthropology 7. 'Naked problems: Sub-African caricatures? Les Demoiselles d'Avignon, Africa and Cubism.
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