The picturing of ancient sites and artifacts to convey information links visual reporting with the workings of the imagination and indicates that the study of antiquity has always had a hybrid identity: part artistic and part scientific.
The picturing of ancient sites and artifacts to convey information links visual reporting with the workings of the imagination and indicates that the study of antiquity has always had a hybrid identity: part artistic and part scientific.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Roger Balm holds a Ph.D. in geography from Rutgers University (New Jersey, USA). He is an independent researcher whose interests focus on the visual record of ancient remains from the Mediterranean islands and Mesoamerica. His published work examines aspects of Western archaeology from the perspective of visual culture.
Inhaltsangabe
Introduction 1. Antiquity and the Enchanted Eye 2. Picturing the Past 3. Visualizing Time 4. Pictorial Meanings: Avebury and Knossos 5. Pictorial Meanings: Ancient Maya and Ancient Khmer 6. Visual Replication and the Muse Conclusions
Introduction 1. Antiquity and the Enchanted Eye 2. Picturing the Past 3. Visualizing Time 4. Pictorial Meanings: Avebury and Knossos 5. Pictorial Meanings: Ancient Maya and Ancient Khmer 6. Visual Replication and the Muse Conclusions
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826