"What is the relationship between peace and photography? How are artists and curators motivated to convey narratives of peace and not just stories of war? Does the digital afterlife of iconic images reveal societal shifts towards conflict transformation? Providing interdisciplinary and international perspectives on important research questions, Picturing Peace explores issues of identity construction, collective memory, and imagined futures in the creating and sustaining of civil societies. How things look and are perceived are not superficial issues; when it comes to war and conflict,…mehr
"What is the relationship between peace and photography? How are artists and curators motivated to convey narratives of peace and not just stories of war? Does the digital afterlife of iconic images reveal societal shifts towards conflict transformation? Providing interdisciplinary and international perspectives on important research questions, Picturing Peace explores issues of identity construction, collective memory, and imagined futures in the creating and sustaining of civil societies. How things look and are perceived are not superficial issues; when it comes to war and conflict, photography is vitally relevant not only to fomenting violence, but also to rebuilding peaceful societies"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Tom Allbeson is Reader in Media and Photographic History at the School of Journalism, Media and Culture at Cardiff University, UK. Jolyon Mitchell is Principal of St John's College, Durham and a Professor specialising in Religion, Violence and Peacebuilding at Durham University, UK. Pippa Oldfield is Senior Lecturer in Photography at Teesside University, UK, and former Head of Programme at Impressions Gallery, Bradford.
Inhaltsangabe
List of Plates List of Figures Note on Contributors Foreword, JP Singh (George Mason University, USA) Series Editor's Preface Acknowledgements Introduction, Tom Allbeson (University of Cardiff, UK) and Pippa Oldfield (Teesside University, UK) Part One: Genealogies 1. Humanitarian Photography: From Mediating Suffering to Visualizing Peace, Roland Bleiker and Emma Hutchison (University of Queensland, Australia) 2. Photography, Civilians and the Polemics of Peace: A Historical Perspective, Heide Fehrenbach (Northern Illinois University, USA) 3. Peace Photography and the Temporality of the Aftermath, Frank Möller (University of Tampere, Finland) 4. Tragedy, Recognition and Photography: Affective Traditions of Witnessing, Jennifer Wallace (University of Cambridge, UK) Part Two: Whose Photography, Whose Peace? 5. Re-framing or De-centering the White Gaze of Peace? Peace Photography, Colonial Durability and Opacity in Dialogue, Astrid Jamar (University of Antwerp, Belgium) and François Makanga (Independent, Belgium) 6. How (Not) to Picture Africa, Martina Bacigalupo in conversation with Sharon Sliwinski 7. Community and Participatory Photography as Peace Photography: Cases from Latin America, Tiffany Fairey (King's College London, UK) 8. Journeys Towards Light, Newsha Tavakolian in conversation with Pippa Oldfield Part Three: From the Archives: Protest Between Activism & Authoritarianism 9. Gender at the Peace Table: Photographic Visualizations of Peacemaking in the First World War, Pippa Oldfield (Teesside University, UK) 10. Peace and its Discontents: Right-Wing Visions of Peace in the Weimar Republic, J.J. Long (Durham University, UK) 11. Publishing for Peace: Newsworthiness, Authorship and Photobooks of the Vietnam Era, Tom Allbeson (Cardiff University, UK) 12. Countering Men's Visions of Destruction with a Vision of Life: Greenham Common's Ecofeminist Imaginaries of Peace, Mathilde Bertrand (Université Bordeaux Montaigne, France) Part Four: Aftermaths and Futures 13. Visualizing the Scars of War: Sexual Trauma, Temporality and Post-conflict Photography, Wendy Kozol (Oberlin College, US) 14. The Images That Define Us: A Photo Elicitation Interview, Jacques Nkinzingabo in conversation with Tiffany Fairey 15. Photography, Peace and the Everyday, Paul Lowe (University of the Arts London, UK) Bibliography Index
List of Plates List of Figures Note on Contributors Foreword, JP Singh (George Mason University, USA) Series Editor's Preface Acknowledgements Introduction, Tom Allbeson (University of Cardiff, UK) and Pippa Oldfield (Teesside University, UK) Part One: Genealogies 1. Humanitarian Photography: From Mediating Suffering to Visualizing Peace, Roland Bleiker and Emma Hutchison (University of Queensland, Australia) 2. Photography, Civilians and the Polemics of Peace: A Historical Perspective, Heide Fehrenbach (Northern Illinois University, USA) 3. Peace Photography and the Temporality of the Aftermath, Frank Möller (University of Tampere, Finland) 4. Tragedy, Recognition and Photography: Affective Traditions of Witnessing, Jennifer Wallace (University of Cambridge, UK) Part Two: Whose Photography, Whose Peace? 5. Re-framing or De-centering the White Gaze of Peace? Peace Photography, Colonial Durability and Opacity in Dialogue, Astrid Jamar (University of Antwerp, Belgium) and François Makanga (Independent, Belgium) 6. How (Not) to Picture Africa, Martina Bacigalupo in conversation with Sharon Sliwinski 7. Community and Participatory Photography as Peace Photography: Cases from Latin America, Tiffany Fairey (King's College London, UK) 8. Journeys Towards Light, Newsha Tavakolian in conversation with Pippa Oldfield Part Three: From the Archives: Protest Between Activism & Authoritarianism 9. Gender at the Peace Table: Photographic Visualizations of Peacemaking in the First World War, Pippa Oldfield (Teesside University, UK) 10. Peace and its Discontents: Right-Wing Visions of Peace in the Weimar Republic, J.J. Long (Durham University, UK) 11. Publishing for Peace: Newsworthiness, Authorship and Photobooks of the Vietnam Era, Tom Allbeson (Cardiff University, UK) 12. Countering Men's Visions of Destruction with a Vision of Life: Greenham Common's Ecofeminist Imaginaries of Peace, Mathilde Bertrand (Université Bordeaux Montaigne, France) Part Four: Aftermaths and Futures 13. Visualizing the Scars of War: Sexual Trauma, Temporality and Post-conflict Photography, Wendy Kozol (Oberlin College, US) 14. The Images That Define Us: A Photo Elicitation Interview, Jacques Nkinzingabo in conversation with Tiffany Fairey 15. Photography, Peace and the Everyday, Paul Lowe (University of the Arts London, UK) Bibliography Index
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