Joan Neuberger, Sergei Kozlov, Valerie Kivelson

Picturing Russian Empire

• Broschiertes Buch

Produktdetails

• Verlag: Oxford University Press Inc
• Seitenzahl: 592
• Erscheinungstermin: 21. Juni 2023
• Englisch
• Abmessung: 198mm x 226mm x 53mm
• Gewicht: 1202g
• ISBN-13: 9780197600528
• ISBN-10: 0197600522
• Artikelnr.: 66699120

Autorenporträt

Valerie Kivelson is the Thomas N. Tentler Collegiate Professor of History at the University of Michigan. Author of several books on medieval Russia, including Desperate Magic: The Moral Economy of Witchcraft in Seventeenth-Century Russia (Cornell University Press, 2013) and Cartographies of Tsardom: The Land and Its Meanings in Seventeenth-Century Russia (Ithaca, NY, Cornell University Press, 2006). Sergei Kozlov is Professor and Chair of the Department of History at the University of Tyumen (Russia). Joan Neuberger is Professor of History at the University of Texas at Austin. Author of several books on modern Russian history, including This Thing of Darkness: Eisenstein's Ivan the Terrible in Stalin's Russia (Cornell University Press, 2019).

Inhaltsangabe

* List of Images
* List of Maps
* About the Contributors
* Acknowledgments
* Note on Transliterations
* Valerie Kivelson, Sergei Kozlov, and Joan Neuberger, Introduction
* I. Medieval Rus among the Empires
* 1. Monica White, Early Rus: The Nexus of Empires
* 2. Irina Konovalova, Placing Rus among World Empires in Tenth-Century
Arab Geography
* 3. Sergei Kozlov, The "Imperial Mirage" of Sviatoslav (twelfth
century)
* II. Muscovy and the Expansion of Empire
* 4. Nancy S. Kollmann, Empire and Culture: The Sixteenth-Century
English Encounter the Samoyedy
* 5. Valerie A. Kivelson, Racial Imaginary and Images of Mongols and
Tatars in Early Modern Russia (1560s-1690s)
* 6. Ekaterina Boltunova, Visual Polemics: The Time of Troubles in
Polish and Russian Historical Memory (1611-1949)
* 7. Maria Grazia Bartolini, The Image of the Good Orthodox Ruler
between Kyiv and Moscow (1660s)
* 8. Erika Monahan, Tents or Towns: The Limits of Sovereignty in the
Russian North in the Late Seventeenth Century
* 9. Evgeny Grishin, Divine Creation and Russian Exploitation of the
Environment in Siberia (circa 1700)
* III. Imperial Russia
* 10. Ernest A. Zitser, Re-visioning Empire under Peter the Great: How
Muscovite Russia became Imperial
* 11. Gregory Afinogenov, Depictions of China from a Caravan Journal
(1736)
* 12. Catherine Evtuhov, A "Complete" Atlas of the Russian Empire
(1745)
* 13. Nathaniel Knight, What's in a Hat? Representations of Ethnicity
and Gender in Eighteenth-Century Russia 14. Alison K. Smith,
Annushka, the Kalmyk (circa 1767)
* 15. Erin McBurney, "If fate had not given her an Empire...":
Catherine the Great and the Optics of Power (1783)
* 16. Anna Graber, Depicting Expertise and Managing Diversity in the
Urals Mining Industry (1773-1818)
* 17. Willard Sunderland, Father Hyacinth's Chinese Portrait (Early
Nineteenth Century)
* 18. Richard Wortman, Vignettes of Empire: "Asiatic Peoples" at
Nineteenth-Century Imperial Russian Coronations
* 19. Nadja Berkovich, The Women of Empire Strike Back (1856)
* 20. Bart Pushaw, The Peasant and the Photograph: Gender, Race, and
the Sunlight Picture in the Baltic Provinces (1866)
* 21. Olga Maiorova, Severed Heads on Display: Visualizing Central Asia
(1868-1872)
* 22. Sarah Badcock, The Cautious One: Identity and Belonging in Late
Imperial Russia (1877)
* 23. Fedor Korandei, Siberian Travelogues: Images of Asiatic Russia
during the Transport Revolution (1860s-1890s)
* 24. Maria Taroutina, "To the Caucasus": Representations of Empire in
the Visual Arts at Abramtsevo (1870s-1890s)
* 25. Louise McReynolds, Archeological Imagery Colonizes the Caucasus
* 26. Alison Rowley, Chained to a Wheelbarrow: Hard Labor on an 1890s
Picture Postcard from Siberia
* 27. Rosalind P. Blakesley, Siberian Roots in an Imperial Space:
Ermak's Conquest of Siberia by Vasily Surikov (1895)
* 28. Anna Kotomina, Alexander Borisov and Tyko Vilka: Two Artists Who
Made Worlds of Their Own from the Arctic Wilderness
* 29. Galina V. Lyubimova, Yermak from Yenisei Province: A Peasant
Painting from the Early Twentieth Century
* 30. Katherine M. H. Reischl, Imperial Color in the Present Tense: The
Photography of Sergei Prokudin-Gorsky
* IV. The Revolutionary Era
* 31. Naomi Caffee and Robert Denis, "Go Be Russian:" Political
Caricature and the Tbilisi Press After the 1905 Revolution
* 32. Ronald Grigor Suny, In the Claws of the Imperial Eagle: Finland,
Georgia, and Joseph Stalin (1906)
* 33. Laura Engelstein, Agit-Empire: Bolshevik Civil War Art
* 34. Angelina Lucento, Breakfast in Suuk Su: The Rise of Visual
"Tatarism" (1917-1923)
* V. The Soviet Union
* 35. Mollie Arbuthnot, Propaganda in Translation: Imagined Muslim
Viewers in Early Soviet Posters (circa 1926)
* 36. Craig Campbell, Two Laws: The Image of the Tungus in Soviet
Dreamworlds (1920s)
* 37. Oksana Sarkisova, Views from the Roof of the World: 1920s Film
Expeditions to the Pamir Mountains
* 38. Emma Widdis, A Shared Soviet Space: Filming the Caucasus in the
1920s-1930s
* 39. Helena Holzberger, Socialist Orientalism: Picturing Central Asia
in the Early Soviet Union (1920s-1930s)
* 40. Nick Baron, "Fascist Colors": Stalinist Spatial Ideology,
Cartographic Design, and Visual Learning
* 41. Robert Weinberg, Representing Jewishness in the Red Zion: The
Jewish Autonomous Region in the 1930s
* 42. Charles Shaw, Love Letters to O'g'ulxon: Photography and Imperial
Intimacy in the Second World War
* 43. Nikolai Vakhtin, From Ethnographic Reality to Socialist Realism:
Illustrations in Soviet Primers for the Indigenous Minorities of the
North
* 44. Erika Wolf, The Stalinist Imperial Body Politic: Photomontage in
a Soviet Poster
* 45. Stephen M. Norris, Caricatured Empire: Cold War Political
Cartoons
* 46. Yana Skorobogatov, "Where the Sun Begins its Path Over our Soil":
El'dar Riazanov's Documentary Sakhalin Island (1954)
* 47. Olessia Vovina, Crafting the Art of Tradition: Chuvash Embroidery
Reframed
* 48. Erik Scott, The Imperial Iconography of the Georgian Table
(1900-1980s)
* 49. Jessica Werneke, Representations of Women in the Soviet
Periphery: Tartu Photography Exhibitions in the 1980s
* VI. The Post-Soviet Era
* 50. Yulia Mikhailova, Competing Nationalisms in Russia's Empire and
Its Aftermath: Sviatoslav of Kiev and the Diorama of His Last Battle
* 51. Evgeny Manzhurin, Return of the Sables: Interpretations of the
Symbol of Imperial Siberia (Seventeenth Century to Today)
* 52. Karen Petrone, Soviet War Memorials in Post-Soviet Spaces
* 53. Elizabeth A. Wood, Crimea in my Heart: Visualizing Putin's
Resurgent Empire in 2014
* 54. Joshua First, The Maidan: Anti-Imperial Modes of Mythmaking in
Documentary Film (2014-2015)
* 55. Olga Shevchenko, The Post-Soviet Body Politic: Media, Diaspora,
and Photographs in the Immortal Regiment
* 56. Joan Neuberger, Photo Essay: Picturing Wartime 2022
* Credits
* Index