A. Johnson / F. Matthews Grieco (eds.)
Picturing Women in Renaissance and Baroque Italy
Herausgeber: Grieco, Sara F. Matthews; Matthews Grieco, Sara F.; Johnson, Geraldine A.
A. Johnson / F. Matthews Grieco (eds.)
Picturing Women in Renaissance and Baroque Italy
Herausgeber: Grieco, Sara F. Matthews; Matthews Grieco, Sara F.; Johnson, Geraldine A.
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This 1997 volume presents an interdisciplinary approach to the history of women and Renaissance and Baroque Italy.
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This 1997 volume presents an interdisciplinary approach to the history of women and Renaissance and Baroque Italy.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 338
- Erscheinungstermin: 10. Oktober 2011
- Englisch
- Abmessung: 244mm x 170mm x 18mm
- Gewicht: 585g
- ISBN-13: 9780521565806
- ISBN-10: 0521565804
- Artikelnr.: 21855223
- Verlag: Cambridge University Press
- Seitenzahl: 338
- Erscheinungstermin: 10. Oktober 2011
- Englisch
- Abmessung: 244mm x 170mm x 18mm
- Gewicht: 585g
- ISBN-13: 9780521565806
- ISBN-10: 0521565804
- Artikelnr.: 21855223
Introduction; Part I. Envisioning Women's Lives: 1. Regarding women in
sacred space Adrian Randolph; 2. Imaginative conceptions in Renaissance
Italy Jacqueline Marie Musacchio; 3. Pedagogical prints: moralizing
broadsheets and wayward women in Counter Reformation Italy Sara F. Matthews
Grieco; Part II. Creative Careers: Women as Artists and Patrons: 4. Taking
part: Benedictine nuns as patrons of art and architecture Mary-Ann
Winkelmes; 5. Lavinia Fontana and female life cycle experience in late
sixteenth-century Bologna Caroline P. Murphy; 6. 'Virgo-non sterilis ...':
nuns as artists in seventeenth-century Rome Franca Trinchieri Camiz; Part
III. Female Bodies in the Language of Art: 7. Disrobing the virgin: the
Madonna Lactans in fifteenth-century Florentine art Megan Holmes; 8.
Donna/Dono: Chivalry and adulterous exchange in the Quattrocento Chad
Coerver; 9. Idol or ideal? The power and potency of female public sculpture
Geraldine A. Johnson; Notes; Index.
sacred space Adrian Randolph; 2. Imaginative conceptions in Renaissance
Italy Jacqueline Marie Musacchio; 3. Pedagogical prints: moralizing
broadsheets and wayward women in Counter Reformation Italy Sara F. Matthews
Grieco; Part II. Creative Careers: Women as Artists and Patrons: 4. Taking
part: Benedictine nuns as patrons of art and architecture Mary-Ann
Winkelmes; 5. Lavinia Fontana and female life cycle experience in late
sixteenth-century Bologna Caroline P. Murphy; 6. 'Virgo-non sterilis ...':
nuns as artists in seventeenth-century Rome Franca Trinchieri Camiz; Part
III. Female Bodies in the Language of Art: 7. Disrobing the virgin: the
Madonna Lactans in fifteenth-century Florentine art Megan Holmes; 8.
Donna/Dono: Chivalry and adulterous exchange in the Quattrocento Chad
Coerver; 9. Idol or ideal? The power and potency of female public sculpture
Geraldine A. Johnson; Notes; Index.
Introduction; Part I. Envisioning Women's Lives: 1. Regarding women in
sacred space Adrian Randolph; 2. Imaginative conceptions in Renaissance
Italy Jacqueline Marie Musacchio; 3. Pedagogical prints: moralizing
broadsheets and wayward women in Counter Reformation Italy Sara F. Matthews
Grieco; Part II. Creative Careers: Women as Artists and Patrons: 4. Taking
part: Benedictine nuns as patrons of art and architecture Mary-Ann
Winkelmes; 5. Lavinia Fontana and female life cycle experience in late
sixteenth-century Bologna Caroline P. Murphy; 6. 'Virgo-non sterilis ...':
nuns as artists in seventeenth-century Rome Franca Trinchieri Camiz; Part
III. Female Bodies in the Language of Art: 7. Disrobing the virgin: the
Madonna Lactans in fifteenth-century Florentine art Megan Holmes; 8.
Donna/Dono: Chivalry and adulterous exchange in the Quattrocento Chad
Coerver; 9. Idol or ideal? The power and potency of female public sculpture
Geraldine A. Johnson; Notes; Index.
sacred space Adrian Randolph; 2. Imaginative conceptions in Renaissance
Italy Jacqueline Marie Musacchio; 3. Pedagogical prints: moralizing
broadsheets and wayward women in Counter Reformation Italy Sara F. Matthews
Grieco; Part II. Creative Careers: Women as Artists and Patrons: 4. Taking
part: Benedictine nuns as patrons of art and architecture Mary-Ann
Winkelmes; 5. Lavinia Fontana and female life cycle experience in late
sixteenth-century Bologna Caroline P. Murphy; 6. 'Virgo-non sterilis ...':
nuns as artists in seventeenth-century Rome Franca Trinchieri Camiz; Part
III. Female Bodies in the Language of Art: 7. Disrobing the virgin: the
Madonna Lactans in fifteenth-century Florentine art Megan Holmes; 8.
Donna/Dono: Chivalry and adulterous exchange in the Quattrocento Chad
Coerver; 9. Idol or ideal? The power and potency of female public sculpture
Geraldine A. Johnson; Notes; Index.