"Bernadette Mayer and Lewis Warsh wrote Piece of Cake as a work of collaborative prose poetry, based on a process of each writing on alternate days in the course of August of 1976-the bicentennial year of the America's Declaration of Independence. It recounts the quotidian details of daily activities, negotiating the exigencies of young, married-with-children life, the artistic path and citizenship. It has the classic "I did this, I did that" of a New York School of Poetry text, as characterized by the poetry of Frank O'Hara, and is somewhat reminiscent of Mayer's work Studying Hunger Journal,…mehr
"Bernadette Mayer and Lewis Warsh wrote Piece of Cake as a work of collaborative prose poetry, based on a process of each writing on alternate days in the course of August of 1976-the bicentennial year of the America's Declaration of Independence. It recounts the quotidian details of daily activities, negotiating the exigencies of young, married-with-children life, the artistic path and citizenship. It has the classic "I did this, I did that" of a New York School of Poetry text, as characterized by the poetry of Frank O'Hara, and is somewhat reminiscent of Mayer's work Studying Hunger Journal, written not long before taking up Piece of Cake. Another distinguishing feature of this work is that it is arguably the first significant male-female collaboration in 20th century American poetry. Regarding the possible derivation of the work's title, and exemplary of the work's tenor, is the start of Warsh's entry of August 29: "I also recall getting up and eating a piece of left-over cake (a very sweet store-bought cake with green or possibly pinkish icing) and drinking a glass of milk at the kitchen window. Empty streets, no moon. Michael and Twinkie asleep on the floor of Bernadette's room, Guy and Karen in mine, Bill on the couch in the living room. Marie in her crib. Everyone 'dead to the world,' a phrase I dislike, what a full house.""Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Bernadette Mayer is the author of more than two dozen volumes of poetry including Works and Days (2016), Helens of Troy, NY (2013), Ethics of Sleep (2011), Poetry State Forest (2008), Scarlet Tanager (2005), Two Haloed Mourners (1998), ANOTHER SMASHED PINECONE (1998), Proper Name and Other Stories (1996), THE DESIRES OF MOTHERS TO PLEASE OTHERS IN LETTERS (1994), The Bernadette Mayer Reader (1992), The Formal Field of Kissing (1990), SONNETS (1989), and Midwinter Day (1982). She was the Director of St. Mark's Poetry Project from 1980 to 1984. Mayer has taught at Naropa Poetics Institute, New School for Social Research, College of Staten Island, and New England College. She has received grants and awards from: PEN American Center, Foundation for Contemporary Performing Art, The NEA, the Academy for American Poets, and American Academy of Arts and Letters.
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