Pierre Boulez Studies
Herausgeber: Campbell, Edward; O'Hagan, Peter
Pierre Boulez Studies
Herausgeber: Campbell, Edward; O'Hagan, Peter
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This collection explores the works, influence, reception and legacy of one of the most important composers in contemporary musical life.
Andere Kunden interessierten sich auch für
- Daniel Gregory MasonShort Studies of Great Masterpieces21,99 €
- Larissa WodtkeTriptych: Three Studies of Manic Street Preachers' the Holy Bible13,99 €
- Andrew KirkmanContemplating Shostakovich82,99 €
- Spencer WrightVoices Behind the Magic23,99 €
- Antarctica: Music, sounds and cultural connections33,99 €
- Janet M. GreenThe American History and Encyclopedia of Music28,99 €
- G. BrownOn Record: Vol. 10 - 1983: Images, Interviews & Insights from the Year in Music39,99 €
-
-
-
This collection explores the works, influence, reception and legacy of one of the most important composers in contemporary musical life.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 411
- Erscheinungstermin: 24. Januar 2019
- Englisch
- Abmessung: 246mm x 189mm x 21mm
- Gewicht: 730g
- ISBN-13: 9781107653177
- ISBN-10: 1107653177
- Artikelnr.: 54644074
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Cambridge University Press
- Seitenzahl: 411
- Erscheinungstermin: 24. Januar 2019
- Englisch
- Abmessung: 246mm x 189mm x 21mm
- Gewicht: 730g
- ISBN-13: 9781107653177
- ISBN-10: 1107653177
- Artikelnr.: 54644074
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Preface; Part I. The Context of the Late 1940s and 1950s: 1. Pierre Boulez:
composer, traveller, correspondent Edward Campbell; 2. Traces of an
apprenticeship: Pierre Boulez's Sonatine (1946/1949) Susanne Gärtner; 3.
Schoenberg vive Jessica Payette; Part II. The Evolution of a Style: 4. 'A
score neither begins nor ends; at most it pretends to': fragmentary
reflections on the Boulezian non finito Robert Piencikowski; 5. Serial
organisation and beyond: cross-relations of determinants in Le Marteau sans
maître and the dynamic pitch-algorithm of Constellation Pascal Decroupet;
6. 'Du Fond d'un Naufrage': the quarter-tone compositions of Pierre Boulez
Werner Strinz; 7. Alea and the concept of the 'work in progress' Peter
O'Hagan; 8. Casting new light on Boulezian Serialism: unpredictability and
free choice in the composition of Pli selon pli - portrait de Mallarmé
Erling E. Guldbrandsen; 9. Serial processes, agency and improvisation
Joseph Salem; 10. Listening to doubles in stereo Jonathan Goldman; 11.
Composing an improvisation at the beginning of the 1970s Paolo Dal Molin;
Part III. Reception Studies: 12. Pierre Boulez in London: the William Glock
years Peter O'Hagan; 13. Tartan from Baden-Baden: Boulez at the 1965
Edinburgh International Festival Edward Campbell; 14. Pierre Boulez and the
suspension of narrative Arnold Whittall.
composer, traveller, correspondent Edward Campbell; 2. Traces of an
apprenticeship: Pierre Boulez's Sonatine (1946/1949) Susanne Gärtner; 3.
Schoenberg vive Jessica Payette; Part II. The Evolution of a Style: 4. 'A
score neither begins nor ends; at most it pretends to': fragmentary
reflections on the Boulezian non finito Robert Piencikowski; 5. Serial
organisation and beyond: cross-relations of determinants in Le Marteau sans
maître and the dynamic pitch-algorithm of Constellation Pascal Decroupet;
6. 'Du Fond d'un Naufrage': the quarter-tone compositions of Pierre Boulez
Werner Strinz; 7. Alea and the concept of the 'work in progress' Peter
O'Hagan; 8. Casting new light on Boulezian Serialism: unpredictability and
free choice in the composition of Pli selon pli - portrait de Mallarmé
Erling E. Guldbrandsen; 9. Serial processes, agency and improvisation
Joseph Salem; 10. Listening to doubles in stereo Jonathan Goldman; 11.
Composing an improvisation at the beginning of the 1970s Paolo Dal Molin;
Part III. Reception Studies: 12. Pierre Boulez in London: the William Glock
years Peter O'Hagan; 13. Tartan from Baden-Baden: Boulez at the 1965
Edinburgh International Festival Edward Campbell; 14. Pierre Boulez and the
suspension of narrative Arnold Whittall.
Preface; Part I. The Context of the Late 1940s and 1950s: 1. Pierre Boulez:
composer, traveller, correspondent Edward Campbell; 2. Traces of an
apprenticeship: Pierre Boulez's Sonatine (1946/1949) Susanne Gärtner; 3.
Schoenberg vive Jessica Payette; Part II. The Evolution of a Style: 4. 'A
score neither begins nor ends; at most it pretends to': fragmentary
reflections on the Boulezian non finito Robert Piencikowski; 5. Serial
organisation and beyond: cross-relations of determinants in Le Marteau sans
maître and the dynamic pitch-algorithm of Constellation Pascal Decroupet;
6. 'Du Fond d'un Naufrage': the quarter-tone compositions of Pierre Boulez
Werner Strinz; 7. Alea and the concept of the 'work in progress' Peter
O'Hagan; 8. Casting new light on Boulezian Serialism: unpredictability and
free choice in the composition of Pli selon pli - portrait de Mallarmé
Erling E. Guldbrandsen; 9. Serial processes, agency and improvisation
Joseph Salem; 10. Listening to doubles in stereo Jonathan Goldman; 11.
Composing an improvisation at the beginning of the 1970s Paolo Dal Molin;
Part III. Reception Studies: 12. Pierre Boulez in London: the William Glock
years Peter O'Hagan; 13. Tartan from Baden-Baden: Boulez at the 1965
Edinburgh International Festival Edward Campbell; 14. Pierre Boulez and the
suspension of narrative Arnold Whittall.
composer, traveller, correspondent Edward Campbell; 2. Traces of an
apprenticeship: Pierre Boulez's Sonatine (1946/1949) Susanne Gärtner; 3.
Schoenberg vive Jessica Payette; Part II. The Evolution of a Style: 4. 'A
score neither begins nor ends; at most it pretends to': fragmentary
reflections on the Boulezian non finito Robert Piencikowski; 5. Serial
organisation and beyond: cross-relations of determinants in Le Marteau sans
maître and the dynamic pitch-algorithm of Constellation Pascal Decroupet;
6. 'Du Fond d'un Naufrage': the quarter-tone compositions of Pierre Boulez
Werner Strinz; 7. Alea and the concept of the 'work in progress' Peter
O'Hagan; 8. Casting new light on Boulezian Serialism: unpredictability and
free choice in the composition of Pli selon pli - portrait de Mallarmé
Erling E. Guldbrandsen; 9. Serial processes, agency and improvisation
Joseph Salem; 10. Listening to doubles in stereo Jonathan Goldman; 11.
Composing an improvisation at the beginning of the 1970s Paolo Dal Molin;
Part III. Reception Studies: 12. Pierre Boulez in London: the William Glock
years Peter O'Hagan; 13. Tartan from Baden-Baden: Boulez at the 1965
Edinburgh International Festival Edward Campbell; 14. Pierre Boulez and the
suspension of narrative Arnold Whittall.