For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy. This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the reawakening of modern scholarship to his unique contributions.…mehr
For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy. This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the reawakening of modern scholarship to his unique contributions.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Honey Meconi is Director of Medieval Studies at Rice University in Houston, Texas. She was an Andrew W. Mellon Postdoctoral Fellow of the University of Pennsylvania and Music Fellow of Villa I Tatti in Florence, Italy. Dr Meconi's shorter writings have been published widely including with the Journal of the Royal Musical Association, Journal of Musicology, Early Music, Journal of the American Musicological Society, and numerous others. She is currently editing Early Musical Borrowing for Garland in their series "Criticism and Analysis of Early Music".
Inhaltsangabe
* Contents * List of Figures * List of Tables * List of Musical Examples * List of Abbreviations * A Note on Names * I. Biography * B: Early Years * C: Peter van der Straten * D: The Habsburg-Burgundian Chapel under Maximilian, Philip, and Juana: 1492?-1508 * E: The Chapel Under Marguerite and Charles: 1508-1516 * F: Retirement: 1516-1518 * II. The Grande chapelle and Musical Life at the Habsburg-Burgundian Court * B: La Rue's Colleagues * C: Music Available at the Court * D: La Rue's Significance at Court * III. Aspects of Sacred Music * B: Examples of Borrowing in La Rue's Sacred Music * C: Liturgical Functions of La Rue's Sacred Music * IV. Aspects of Secular Music * B: Two Examples * C: Problems of Authenticity * D: Observations * V. Patterns of Influence * B: Dissemination of Music and the Josquin Generations * C: Literary and Theoretical Citations * D: Growth of a Reputation * E: Who is Pierre de la Rue? * Appendix A: Chronology of Events * Appendix B: Chronology of Sources * Appendix C: Literary and Theoretical Citations * Appendix D: Catalogue of Works * NB203 * NB203 * Bibliography * Index of Manuscripts and Printed Sources * Index of Compositions by or attributed to La Rue * General Index
* Contents * List of Figures * List of Tables * List of Musical Examples * List of Abbreviations * A Note on Names * I. Biography * B: Early Years * C: Peter van der Straten * D: The Habsburg-Burgundian Chapel under Maximilian, Philip, and Juana: 1492?-1508 * E: The Chapel Under Marguerite and Charles: 1508-1516 * F: Retirement: 1516-1518 * II. The Grande chapelle and Musical Life at the Habsburg-Burgundian Court * B: La Rue's Colleagues * C: Music Available at the Court * D: La Rue's Significance at Court * III. Aspects of Sacred Music * B: Examples of Borrowing in La Rue's Sacred Music * C: Liturgical Functions of La Rue's Sacred Music * IV. Aspects of Secular Music * B: Two Examples * C: Problems of Authenticity * D: Observations * V. Patterns of Influence * B: Dissemination of Music and the Josquin Generations * C: Literary and Theoretical Citations * D: Growth of a Reputation * E: Who is Pierre de la Rue? * Appendix A: Chronology of Events * Appendix B: Chronology of Sources * Appendix C: Literary and Theoretical Citations * Appendix D: Catalogue of Works * NB203 * NB203 * Bibliography * Index of Manuscripts and Printed Sources * Index of Compositions by or attributed to La Rue * General Index
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