This book situates Pindar's victory odes for Hieron of Syracuse within the tumultuous context of Syracuse and Greece in the early fifth century BC. It combines exploration of the material and musical culture of Hieron's Syracuse with literary analysis to demonstrate how Pindar's poetry manipulates epinician form to effect political legitimation.
This book situates Pindar's victory odes for Hieron of Syracuse within the tumultuous context of Syracuse and Greece in the early fifth century BC. It combines exploration of the material and musical culture of Hieron's Syracuse with literary analysis to demonstrate how Pindar's poetry manipulates epinician form to effect political legitimation.
Kathryn A. Morgan is Professor of Classics at the University of California, Los Angeles.
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Acknowledgements Table of Contents List of Figures Editions and Abbreviations Chapter 1. Introduction Chapter 2. The Deinomenids and Syracuse Chapter 3. Poets and Patrons in Hieron's Syracuse Chapter 4. Placing Hieron Chapter 5. Pythian 2: A Royal Poetics Chapter 6. Olympian 1: Feasting at the King's Hearth Chapter 7. Pythian 3. Victory over Vicissitude Chapter 8. Pythian 1. A Civic Symphony Chapter 9. Henchmen (Nemean 9, Nemean 1, Olympian 6) Conclusion Bibliography INDEX
Acknowledgements Table of Contents List of Figures Editions and Abbreviations Chapter 1. Introduction Chapter 2. The Deinomenids and Syracuse Chapter 3. Poets and Patrons in Hieron's Syracuse Chapter 4. Placing Hieron Chapter 5. Pythian 2: A Royal Poetics Chapter 6. Olympian 1: Feasting at the King's Hearth Chapter 7. Pythian 3. Victory over Vicissitude Chapter 8. Pythian 1. A Civic Symphony Chapter 9. Henchmen (Nemean 9, Nemean 1, Olympian 6) Conclusion Bibliography INDEX
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