Noah A. Tsika is Assistant Professor of Media Studies at Queens College, City University of New York. He is the author of Gods and Monsters: A Queer Film Classic and Nollywood Stars: Media and Migration in West Africa and the Diaspora. His essays have appeared in African Studies Review, Black Camera, Cineaste, Porn Studies, and The Velvet Light Trap, as well as in numerous anthologies, including LGBT Identity and Online New Media, The Brokeback Book, Reading Brokeback Mountain, and Queer Youth and Media Cultures.
Noah A. Tsika is Assistant Professor of Media Studies at Queens College, City University of New York. He is the author of Gods and Monsters: A Queer Film Classic and Nollywood Stars: Media and Migration in West Africa and the Diaspora. His essays have appeared in African Studies Review, Black Camera, Cineaste, Porn Studies, and The Velvet Light Trap, as well as in numerous anthologies, including LGBT Identity and Online New Media, The Brokeback Book, Reading Brokeback Mountain, and Queer Youth and Media Cultures.
Noah A. Tsika is Assistant Professor of Media Studies at Queens College, City University of New York. He is the author of Gods and Monsters: A Queer Film Classic and Nollywood Stars: Media and Migration in West Africa and the Diaspora. His essays have appeared in African Studies Review, Black Camera, Cineaste, Porn Studies, and The Velvet Light Trap, as well as in numerous anthologies, including LGBT Identity and Online New Media, The Brokeback Book, Reading Brokeback Mountain, and Queer Youth and Media Cultures.
Inhaltsangabe
Acknowledgments A Note on Scope and Terminology Introduction: Questioning the "Queer Internet" 1. Digitizing Gay Fandom: Corporate Encounters with Queer Cinema on the Internet 2. Epistemology of the Blogosphere: Queer Cinema on Gay Porn Sites 3. Franco, Ginsberg, Kerouac & Co.: Constructing a Beat Topos with Digital Networked Technologies 4. Liberating Gayness: Selling the Sexual Candor of I Love You Phillip Morris 5. "Nollywood Goes Homo": Gay Identifications on the Nigerian Internet Conclusion: Antiviral Bibliography Index
Acknowledgments A Note on Scope and Terminology Introduction: Questioning the "Queer Internet" 1. Digitizing Gay Fandom: Corporate Encounters with Queer Cinema on the Internet 2. Epistemology of the Blogosphere: Queer Cinema on Gay Porn Sites 3. Franco, Ginsberg, Kerouac & Co.: Constructing a Beat Topos with Digital Networked Technologies 4. Liberating Gayness: Selling the Sexual Candor of I Love You Phillip Morris 5. "Nollywood Goes Homo": Gay Identifications on the Nigerian Internet Conclusion: Antiviral Bibliography Index
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