Pirandello's Visual Philosophy
Imagination and Thought across Media
Herausgeber: Sarti, Lisa; Subialka, Michael
Pirandello's Visual Philosophy
Imagination and Thought across Media
Herausgeber: Sarti, Lisa; Subialka, Michael
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This book offers an important new look into how philosophy and the visual imagination intersect in the modernist work of Luigi Pirandello. Collecting essays from leading scholars across the world, it highlights the incredible scope and multimedia dimension of Pirandelloâ s work and legacy.
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This book offers an important new look into how philosophy and the visual imagination intersect in the modernist work of Luigi Pirandello. Collecting essays from leading scholars across the world, it highlights the incredible scope and multimedia dimension of Pirandelloâ s work and legacy.
Produktdetails
- Produktdetails
- The Fairleigh Dickinson University Press Series in Italian Studies
- Verlag: Fairleigh Dickinson University Press
- Seitenzahl: 232
- Erscheinungstermin: 28. April 2017
- Englisch
- Abmessung: 235mm x 157mm x 17mm
- Gewicht: 492g
- ISBN-13: 9781683930280
- ISBN-10: 1683930282
- Artikelnr.: 47361888
- The Fairleigh Dickinson University Press Series in Italian Studies
- Verlag: Fairleigh Dickinson University Press
- Seitenzahl: 232
- Erscheinungstermin: 28. April 2017
- Englisch
- Abmessung: 235mm x 157mm x 17mm
- Gewicht: 492g
- ISBN-13: 9781683930280
- ISBN-10: 1683930282
- Artikelnr.: 47361888
Lisa Sarti is assistant professor of Italian at Borough of Manhattan Community College. Michael Subialka is assistant professor of comparative literature and Italian at the University of California, Davis.
Introduction Lisa Sarti (BMCC, The City University of New York) and Michael
Subialka (University of California, Davis) THEATER Pirandello: Silent
Scenes, Spoken Pictures Julie Dashwood (University of Cambridge) "My
Portrait Come to Life!" - Visions of Self in Pirandello's Henry IV Kyle
Gillette (Trinity University) The Display of Power from the Theatrical
Stage to Domestic Life in Tonight We Improvise Pietro Frassica (Princeton
University) PAINTING Impressionism and the "Feeling of Disquietude" in
Luigi Pirandello's Pictorial Imaginary Carlo Di Lieto (Suor Orsola
Benincasa, Naples) Deconstructing the Self: Luigi Pirandello's Thought and
Fausto Pirandello's Paintings Daniela Bini (University of Texas, Austin)
CINEMA George Fitzmaurice's As You Desire Me (1932) and Greta Garbo's
Elusive Identity Claudia Consolati (University of Pennsylvania) Stolen
Goods: Pirandello and Michelangelo Antonioni's La signora senza camelie
(1953) Andrea Malaguti (University of Massachusetts, Amherst) MUSIC In
Defense of Marginalized Music: Pirandello from the 1910s through the 1930s
Daniela Bombara (Independent Scholar) The Final Message of Art: The Fable
of the Changeling Son by Pirandello and Malipiero Daniela Gangale
(Independent Scholar) PHILOSOPHY Reflecting on the Threshold: Toward a
Theory of Cognitive Liminality in Luigi Pirandello's On Humor and One, No
One and a Hundred Thousand John Mastrogianakos (York University) Works
Cited
Subialka (University of California, Davis) THEATER Pirandello: Silent
Scenes, Spoken Pictures Julie Dashwood (University of Cambridge) "My
Portrait Come to Life!" - Visions of Self in Pirandello's Henry IV Kyle
Gillette (Trinity University) The Display of Power from the Theatrical
Stage to Domestic Life in Tonight We Improvise Pietro Frassica (Princeton
University) PAINTING Impressionism and the "Feeling of Disquietude" in
Luigi Pirandello's Pictorial Imaginary Carlo Di Lieto (Suor Orsola
Benincasa, Naples) Deconstructing the Self: Luigi Pirandello's Thought and
Fausto Pirandello's Paintings Daniela Bini (University of Texas, Austin)
CINEMA George Fitzmaurice's As You Desire Me (1932) and Greta Garbo's
Elusive Identity Claudia Consolati (University of Pennsylvania) Stolen
Goods: Pirandello and Michelangelo Antonioni's La signora senza camelie
(1953) Andrea Malaguti (University of Massachusetts, Amherst) MUSIC In
Defense of Marginalized Music: Pirandello from the 1910s through the 1930s
Daniela Bombara (Independent Scholar) The Final Message of Art: The Fable
of the Changeling Son by Pirandello and Malipiero Daniela Gangale
(Independent Scholar) PHILOSOPHY Reflecting on the Threshold: Toward a
Theory of Cognitive Liminality in Luigi Pirandello's On Humor and One, No
One and a Hundred Thousand John Mastrogianakos (York University) Works
Cited
Introduction Lisa Sarti (BMCC, The City University of New York) and Michael
Subialka (University of California, Davis) THEATER Pirandello: Silent
Scenes, Spoken Pictures Julie Dashwood (University of Cambridge) "My
Portrait Come to Life!" - Visions of Self in Pirandello's Henry IV Kyle
Gillette (Trinity University) The Display of Power from the Theatrical
Stage to Domestic Life in Tonight We Improvise Pietro Frassica (Princeton
University) PAINTING Impressionism and the "Feeling of Disquietude" in
Luigi Pirandello's Pictorial Imaginary Carlo Di Lieto (Suor Orsola
Benincasa, Naples) Deconstructing the Self: Luigi Pirandello's Thought and
Fausto Pirandello's Paintings Daniela Bini (University of Texas, Austin)
CINEMA George Fitzmaurice's As You Desire Me (1932) and Greta Garbo's
Elusive Identity Claudia Consolati (University of Pennsylvania) Stolen
Goods: Pirandello and Michelangelo Antonioni's La signora senza camelie
(1953) Andrea Malaguti (University of Massachusetts, Amherst) MUSIC In
Defense of Marginalized Music: Pirandello from the 1910s through the 1930s
Daniela Bombara (Independent Scholar) The Final Message of Art: The Fable
of the Changeling Son by Pirandello and Malipiero Daniela Gangale
(Independent Scholar) PHILOSOPHY Reflecting on the Threshold: Toward a
Theory of Cognitive Liminality in Luigi Pirandello's On Humor and One, No
One and a Hundred Thousand John Mastrogianakos (York University) Works
Cited
Subialka (University of California, Davis) THEATER Pirandello: Silent
Scenes, Spoken Pictures Julie Dashwood (University of Cambridge) "My
Portrait Come to Life!" - Visions of Self in Pirandello's Henry IV Kyle
Gillette (Trinity University) The Display of Power from the Theatrical
Stage to Domestic Life in Tonight We Improvise Pietro Frassica (Princeton
University) PAINTING Impressionism and the "Feeling of Disquietude" in
Luigi Pirandello's Pictorial Imaginary Carlo Di Lieto (Suor Orsola
Benincasa, Naples) Deconstructing the Self: Luigi Pirandello's Thought and
Fausto Pirandello's Paintings Daniela Bini (University of Texas, Austin)
CINEMA George Fitzmaurice's As You Desire Me (1932) and Greta Garbo's
Elusive Identity Claudia Consolati (University of Pennsylvania) Stolen
Goods: Pirandello and Michelangelo Antonioni's La signora senza camelie
(1953) Andrea Malaguti (University of Massachusetts, Amherst) MUSIC In
Defense of Marginalized Music: Pirandello from the 1910s through the 1930s
Daniela Bombara (Independent Scholar) The Final Message of Art: The Fable
of the Changeling Son by Pirandello and Malipiero Daniela Gangale
(Independent Scholar) PHILOSOPHY Reflecting on the Threshold: Toward a
Theory of Cognitive Liminality in Luigi Pirandello's On Humor and One, No
One and a Hundred Thousand John Mastrogianakos (York University) Works
Cited