This book offers an important new look into how philosophy and the visual imagination intersect in the modernist work of Luigi Pirandello. Collecting essays from leading scholars across the world, it highlights the incredible scope and multimedia dimension of Pirandelloâ s work and legacy.
This book offers an important new look into how philosophy and the visual imagination intersect in the modernist work of Luigi Pirandello. Collecting essays from leading scholars across the world, it highlights the incredible scope and multimedia dimension of Pirandelloâ s work and legacy.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
The Fairleigh Dickinson University Press Series in Italian Studies
Lisa Sarti is assistant professor of Italian at Borough of Manhattan Community College. Michael Subialka is assistant professor of comparative literature and Italian at the University of California, Davis.
Inhaltsangabe
Introduction Lisa Sarti (BMCC, The City University of New York) and Michael Subialka (University of California, Davis) THEATER Pirandello: Silent Scenes, Spoken Pictures Julie Dashwood (University of Cambridge) "My Portrait Come to Life!" - Visions of Self in Pirandello's Henry IV Kyle Gillette (Trinity University) The Display of Power from the Theatrical Stage to Domestic Life in Tonight We Improvise Pietro Frassica (Princeton University) PAINTING Impressionism and the "Feeling of Disquietude" in Luigi Pirandello's Pictorial Imaginary Carlo Di Lieto (Suor Orsola Benincasa, Naples) Deconstructing the Self: Luigi Pirandello's Thought and Fausto Pirandello's Paintings Daniela Bini (University of Texas, Austin) CINEMA George Fitzmaurice's As You Desire Me (1932) and Greta Garbo's Elusive Identity Claudia Consolati (University of Pennsylvania) Stolen Goods: Pirandello and Michelangelo Antonioni's La signora senza camelie (1953) Andrea Malaguti (University of Massachusetts, Amherst) MUSIC In Defense of Marginalized Music: Pirandello from the 1910s through the 1930s Daniela Bombara (Independent Scholar) The Final Message of Art: The Fable of the Changeling Son by Pirandello and Malipiero Daniela Gangale (Independent Scholar) PHILOSOPHY Reflecting on the Threshold: Toward a Theory of Cognitive Liminality in Luigi Pirandello's On Humor and One, No One and a Hundred Thousand John Mastrogianakos (York University) Works Cited
Introduction Lisa Sarti (BMCC, The City University of New York) and Michael Subialka (University of California, Davis) THEATER Pirandello: Silent Scenes, Spoken Pictures Julie Dashwood (University of Cambridge) "My Portrait Come to Life!" - Visions of Self in Pirandello's Henry IV Kyle Gillette (Trinity University) The Display of Power from the Theatrical Stage to Domestic Life in Tonight We Improvise Pietro Frassica (Princeton University) PAINTING Impressionism and the "Feeling of Disquietude" in Luigi Pirandello's Pictorial Imaginary Carlo Di Lieto (Suor Orsola Benincasa, Naples) Deconstructing the Self: Luigi Pirandello's Thought and Fausto Pirandello's Paintings Daniela Bini (University of Texas, Austin) CINEMA George Fitzmaurice's As You Desire Me (1932) and Greta Garbo's Elusive Identity Claudia Consolati (University of Pennsylvania) Stolen Goods: Pirandello and Michelangelo Antonioni's La signora senza camelie (1953) Andrea Malaguti (University of Massachusetts, Amherst) MUSIC In Defense of Marginalized Music: Pirandello from the 1910s through the 1930s Daniela Bombara (Independent Scholar) The Final Message of Art: The Fable of the Changeling Son by Pirandello and Malipiero Daniela Gangale (Independent Scholar) PHILOSOPHY Reflecting on the Threshold: Toward a Theory of Cognitive Liminality in Luigi Pirandello's On Humor and One, No One and a Hundred Thousand John Mastrogianakos (York University) Works Cited
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