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Building on theories of space and place, this collection examines the global reach of Elizabeth Gaskell's influence and places her work within the narrative of British letters and narrative identity. In keeping with the theme of progress and change, the essays follow parallel narratives that acknowledge both the angst and nostalgia produced by indu
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Building on theories of space and place, this collection examines the global reach of Elizabeth Gaskell's influence and places her work within the narrative of British letters and narrative identity. In keeping with the theme of progress and change, the essays follow parallel narratives that acknowledge both the angst and nostalgia produced by indu
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 246
- Erscheinungstermin: 12. Dezember 2019
- Englisch
- Abmessung: 234mm x 156mm x 13mm
- Gewicht: 354g
- ISBN-13: 9780367880132
- ISBN-10: 036788013X
- Artikelnr.: 58440744
- Verlag: Taylor & Francis
- Seitenzahl: 246
- Erscheinungstermin: 12. Dezember 2019
- Englisch
- Abmessung: 234mm x 156mm x 13mm
- Gewicht: 354g
- ISBN-13: 9780367880132
- ISBN-10: 036788013X
- Artikelnr.: 58440744
Lesa Scholl is Dean of Academic Studies at Emmanuel College, University of Queensland, Australia. Emily Morris teaches literature and composition at St. Thomas More College at the University of Saskatchewan, Canada; and Sarina Gruver Moore is Visiting Assistant Professor of English at Calvin College, USA.
Part 1 Home Geographies: Gaskell on the waterfront: leisure, labor, and
maritime space in the mid-19th century. The humanizing transformations of
the space of the home in Gaskell's Cranford. 'You might pioneer a little
home': hybrid spaces, identities, and homes in Elizabeth Gaskell's North
and South. Grave matters: gothic places and kinetic spaces in Elizabeth
Gaskell's Mary Barton. Part 2 Mobility and Boundaries: Unimagined community
and disease in Ruth. Temporally out of sync: migration as fiction and
philanthropy in Gaskell's life and work. Moving between North and South:
cultural signs and the progress of modernity in Elizabeth Gaskell's novel.
In search of shared time: national imaginings in Elizabeth Gaskell's North
and South. Part 3 Literary and Imagined Spaces: Catching the post:
Elizabeth Gaskell as traveler and letter-writer. Gaskell the ethnographer:
the case of 'modern Greek songs'. Reading 'an every-day story' through
bifocals: seriality and the limits of realism in Elizabeth Gaskell's Wives
and Daughters. Gaskell's 'rooted' prose realism. Part 4 Cultural
Performance and Visual Spaces: Applied meteorology: scientific accuracy and
imaginative writing in Elizabeth Gaskell's 'Cousin Phillis' and Wives and
Daughters. Women's voices in the Pre-Raphaelite space of Elizabeth
Gaskell's novels. 'Look back at me': the material re-performance of the
Victorian in North and South (2004).
maritime space in the mid-19th century. The humanizing transformations of
the space of the home in Gaskell's Cranford. 'You might pioneer a little
home': hybrid spaces, identities, and homes in Elizabeth Gaskell's North
and South. Grave matters: gothic places and kinetic spaces in Elizabeth
Gaskell's Mary Barton. Part 2 Mobility and Boundaries: Unimagined community
and disease in Ruth. Temporally out of sync: migration as fiction and
philanthropy in Gaskell's life and work. Moving between North and South:
cultural signs and the progress of modernity in Elizabeth Gaskell's novel.
In search of shared time: national imaginings in Elizabeth Gaskell's North
and South. Part 3 Literary and Imagined Spaces: Catching the post:
Elizabeth Gaskell as traveler and letter-writer. Gaskell the ethnographer:
the case of 'modern Greek songs'. Reading 'an every-day story' through
bifocals: seriality and the limits of realism in Elizabeth Gaskell's Wives
and Daughters. Gaskell's 'rooted' prose realism. Part 4 Cultural
Performance and Visual Spaces: Applied meteorology: scientific accuracy and
imaginative writing in Elizabeth Gaskell's 'Cousin Phillis' and Wives and
Daughters. Women's voices in the Pre-Raphaelite space of Elizabeth
Gaskell's novels. 'Look back at me': the material re-performance of the
Victorian in North and South (2004).
Part 1 Home Geographies: Gaskell on the waterfront: leisure, labor, and
maritime space in the mid-19th century. The humanizing transformations of
the space of the home in Gaskell's Cranford. 'You might pioneer a little
home': hybrid spaces, identities, and homes in Elizabeth Gaskell's North
and South. Grave matters: gothic places and kinetic spaces in Elizabeth
Gaskell's Mary Barton. Part 2 Mobility and Boundaries: Unimagined community
and disease in Ruth. Temporally out of sync: migration as fiction and
philanthropy in Gaskell's life and work. Moving between North and South:
cultural signs and the progress of modernity in Elizabeth Gaskell's novel.
In search of shared time: national imaginings in Elizabeth Gaskell's North
and South. Part 3 Literary and Imagined Spaces: Catching the post:
Elizabeth Gaskell as traveler and letter-writer. Gaskell the ethnographer:
the case of 'modern Greek songs'. Reading 'an every-day story' through
bifocals: seriality and the limits of realism in Elizabeth Gaskell's Wives
and Daughters. Gaskell's 'rooted' prose realism. Part 4 Cultural
Performance and Visual Spaces: Applied meteorology: scientific accuracy and
imaginative writing in Elizabeth Gaskell's 'Cousin Phillis' and Wives and
Daughters. Women's voices in the Pre-Raphaelite space of Elizabeth
Gaskell's novels. 'Look back at me': the material re-performance of the
Victorian in North and South (2004).
maritime space in the mid-19th century. The humanizing transformations of
the space of the home in Gaskell's Cranford. 'You might pioneer a little
home': hybrid spaces, identities, and homes in Elizabeth Gaskell's North
and South. Grave matters: gothic places and kinetic spaces in Elizabeth
Gaskell's Mary Barton. Part 2 Mobility and Boundaries: Unimagined community
and disease in Ruth. Temporally out of sync: migration as fiction and
philanthropy in Gaskell's life and work. Moving between North and South:
cultural signs and the progress of modernity in Elizabeth Gaskell's novel.
In search of shared time: national imaginings in Elizabeth Gaskell's North
and South. Part 3 Literary and Imagined Spaces: Catching the post:
Elizabeth Gaskell as traveler and letter-writer. Gaskell the ethnographer:
the case of 'modern Greek songs'. Reading 'an every-day story' through
bifocals: seriality and the limits of realism in Elizabeth Gaskell's Wives
and Daughters. Gaskell's 'rooted' prose realism. Part 4 Cultural
Performance and Visual Spaces: Applied meteorology: scientific accuracy and
imaginative writing in Elizabeth Gaskell's 'Cousin Phillis' and Wives and
Daughters. Women's voices in the Pre-Raphaelite space of Elizabeth
Gaskell's novels. 'Look back at me': the material re-performance of the
Victorian in North and South (2004).