Focusing upon Marlowe the playwright as opposed to Marlowe the man, this work features essays that position the dramatist's plays within the dramaturgical, ethical, and sociopolitical matrices of his own era. It also examines the controversies of the early modern period 'such as the anti-theatrical debate, and the discourse of addiction.
Focusing upon Marlowe the playwright as opposed to Marlowe the man, this work features essays that position the dramatist's plays within the dramaturgical, ethical, and sociopolitical matrices of his own era. It also examines the controversies of the early modern period 'such as the anti-theatrical debate, and the discourse of addiction.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sara Munson Deats is Distinguished University Professor of English, at the University of South Florida, USA. Robert A. Logan is Professor of English at the University of Hartford, USA
Inhaltsangabe
Introduction Sara Munson Deats Robert A. Logan; Part 1 Marlowe and the Theater; Chapter 1 "Mark this show" Sara Munson Deats; Chapter 2 Marlowe's Edward II and the Early Playhouse Audiences Ruth Lunney; Chapter 3 Edmund Kean Anti-Semitism and The Jew of Malta Stephanie Moss; Part 2 Marlowe And The Family; Chapter 4 The Hopeless Daughter of a Hapless Jew Lagretta Tallent Lenker; Chapter 5 A Study in Ambivalence Joyce Karpay; Chapter 6 Masculinity Performance and Identity Merry G. Perry; Part 3 Marlowe Ethics and Religion; Chapter 7 Almost Famous Always Iterable Rick Bowers; Chapter 8 Misbelief False Profession and The Jew of Malta William M. Hamlin; Chapter 9 Doctor Faustus and the Early Modern Language of Addiction Deborah Willis; Chapter 10 Rhetorical Strategies for a locus terribilis Christine McCall Probes; Chapter 11 Barabas and Charles I John Parker; Part 4 Marlowe and Shakespeare; Chapter 12 Marlowe Shakespeare and the Theoretically Irrelevant Author Constance Brown Kuriyama; Chapter 13 "Glutted with Conceit" Robert A. Logan; Chapter 14 Christopher Marlowe David Bevington;
Introduction Sara Munson Deats Robert A. Logan; Part 1 Marlowe and the Theater; Chapter 1 "Mark this show" Sara Munson Deats; Chapter 2 Marlowe's Edward II and the Early Playhouse Audiences Ruth Lunney; Chapter 3 Edmund Kean Anti-Semitism and The Jew of Malta Stephanie Moss; Part 2 Marlowe And The Family; Chapter 4 The Hopeless Daughter of a Hapless Jew Lagretta Tallent Lenker; Chapter 5 A Study in Ambivalence Joyce Karpay; Chapter 6 Masculinity Performance and Identity Merry G. Perry; Part 3 Marlowe Ethics and Religion; Chapter 7 Almost Famous Always Iterable Rick Bowers; Chapter 8 Misbelief False Profession and The Jew of Malta William M. Hamlin; Chapter 9 Doctor Faustus and the Early Modern Language of Addiction Deborah Willis; Chapter 10 Rhetorical Strategies for a locus terribilis Christine McCall Probes; Chapter 11 Barabas and Charles I John Parker; Part 4 Marlowe and Shakespeare; Chapter 12 Marlowe Shakespeare and the Theoretically Irrelevant Author Constance Brown Kuriyama; Chapter 13 "Glutted with Conceit" Robert A. Logan; Chapter 14 Christopher Marlowe David Bevington;
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