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We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold thro
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"Mari Lending takes readers on a fascinating journey, revisiting monuments and places that stand out, not because of their uniqueness and authenticity, but because they somehow simulate these qualities. Extremely well-researched, Plaster Monuments offers a compelling reflection on what makes up architectures vitality."--Hilde Heynen, University of Leuven