Describes the mechanisms and chemistry of platinum/palladium printing in safe, practical ways. Clearly presented formulae allow the printer to work with platinum, palladium, or varying combinations of both. The printed-out image appears fully during exposure, and only requires simple and safe steps for clearing to a stable, archival state.
Describes the mechanisms and chemistry of platinum/palladium printing in safe, practical ways. Clearly presented formulae allow the printer to work with platinum, palladium, or varying combinations of both. The printed-out image appears fully during exposure, and only requires simple and safe steps for clearing to a stable, archival state.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Contemporary Practices in Alternative Process Photography
Pradip Malde graduated from the Glasgow School of Art (MA, 1980). He is a professor of Art at the University of the South, Sewanee, Tennessee, teaching photography and documentary studies. A Scottish Arts Council Bursary recipient (1990) and a Guggenheim Fellow (2018), he has worked extensively within small rural communities using photography as a citizen-based development tool. His works are held in numerous public collections, including the Scottish National Galleries, Princeton University Museum, and the Victoria and Albert Museum. Dr. Mike Ware graduated in chemistry at the University of Oxford (1962). He is an Honorary Fellow in Chemistry, University of Manchester, UK, and a recipient of the Hood Medal of the Royal Photographic Society. His researches on improving historic photographic processes have had a profound impact on creative and historical aspects of photography, and are described in 70 publications. He has consulted for national museums and galleries, exhibited his personal photographic work and conducted workshops worldwide. In 2016 he was awarded the Special Recognition of the American Institute for Conservation.
Inhaltsangabe
Foreword by Mike Ware Preface Acknowledgements PART 1 1. Contexts and Expectations 2. Chemistry of the Platinum/Palladium Print 3. Safety Workspaces and Procedures 4. Equipment Materials and Chemicals 5. Preparation of Sensitizer and Processing Solutions 6. Paper-Its Properties and Choice 7. Negatives 8. Making the Print 9. Archival Processing Presentation and Documentation 10. Looking and Seeing PART 2 11. Contemporary Practices Appendix I Troubleshooting Appendix II Workflow Summaries Appendix III Glossary Appendix IV Equipment Materials and Resources Appendix V Bibliography and References Index
Foreword by Mike Ware Preface Acknowledgements PART 1 1. Contexts and Expectations 2. Chemistry of the Platinum/Palladium Print 3. Safety Workspaces and Procedures 4. Equipment Materials and Chemicals 5. Preparation of Sensitizer and Processing Solutions 6. Paper-Its Properties and Choice 7. Negatives 8. Making the Print 9. Archival Processing Presentation and Documentation 10. Looking and Seeing PART 2 11. Contemporary Practices Appendix I Troubleshooting Appendix II Workflow Summaries Appendix III Glossary Appendix IV Equipment Materials and Resources Appendix V Bibliography and References Index
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