This book shows the impact of the 1428 rediscovery of Plautus's plays on the theory and composition of comedy, and sets Plautus's reception apart from that of the quite different dramatist Terence. The latter half takes up the Plautine traits that appear in the practice of English comic dramatists ca. 1500-1640.
This book shows the impact of the 1428 rediscovery of Plautus's plays on the theory and composition of comedy, and sets Plautus's reception apart from that of the quite different dramatist Terence. The latter half takes up the Plautine traits that appear in the practice of English comic dramatists ca. 1500-1640.
Preface Introduction Chapter 1: A Humanist Debate on Comedy Chapter 2: Reception in Northern Europe and England Chapter 3: Plautus and English Comedy: Points of Comparison in Essentials Chapter 4: Plautus and English Comedy: Talking through Scenes Chapter 5: Plautus and English Comedy: Further Points of Comparison Conclusion: "Nothing is Said that has not been said before" Bibliography
Preface Introduction Chapter 1: A Humanist Debate on Comedy Chapter 2: Reception in Northern Europe and England Chapter 3: Plautus and English Comedy: Points of Comparison in Essentials Chapter 4: Plautus and English Comedy: Talking through Scenes Chapter 5: Plautus and English Comedy: Further Points of Comparison Conclusion: "Nothing is Said that has not been said before" Bibliography
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