An important re-theorisation of medieval gender and anti-Semitism, centring biblical drama as a source of evidence for lay attitudes towards scriptural time. Interrogating the Christian preoccupation with a superseded Jewish past, the book asks how this model is subverted by characters who experience time differently.
An important re-theorisation of medieval gender and anti-Semitism, centring biblical drama as a source of evidence for lay attitudes towards scriptural time. Interrogating the Christian preoccupation with a superseded Jewish past, the book asks how this model is subverted by characters who experience time differently.
Daisy Black is Lecturer in English Literature at the University of Wolverhampton
Inhaltsangabe
Introduction: what God was doing before he created the world 1 The old man and the pregnant virgin: linear time and Jewish conversion in the N-Town plays 2 Grave new world: fantasies of supersession and explosive questions in the York and Chester Flood plays 3 Time out of joint: queering the Nativity in the Towneley Second Shepherds' Play 4 Passion meets Passover: temporal origami in the Towneley Herod the Great 5 Conclusion: the spectator's God's-eye view Epilogue Bibliography Index
Introduction: what God was doing before he created the world 1 The old man and the pregnant virgin: linear time and Jewish conversion in the N-Town plays 2 Grave new world: fantasies of supersession and explosive questions in the York and Chester Flood plays 3 Time out of joint: queering the Nativity in the Towneley Second Shepherds' Play 4 Passion meets Passover: temporal origami in the Towneley Herod the Great 5 Conclusion: the spectator's God's-eye view Epilogue Bibliography Index
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