Playing and Playgoing in Early Modern England
Herausgeber: Smith, Simon; Whipday, Emma
Playing and Playgoing in Early Modern England
Herausgeber: Smith, Simon; Whipday, Emma
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Offers a new, interdisciplinary account of early modern drama through the lens of playing and playgoing.
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Offers a new, interdisciplinary account of early modern drama through the lens of playing and playgoing.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 308
- Erscheinungstermin: 1. März 2022
- Englisch
- Abmessung: 235mm x 157mm x 21mm
- Gewicht: 601g
- ISBN-13: 9781108489058
- ISBN-10: 1108489052
- Artikelnr.: 62050674
- Verlag: Cambridge University Press
- Seitenzahl: 308
- Erscheinungstermin: 1. März 2022
- Englisch
- Abmessung: 235mm x 157mm x 21mm
- Gewicht: 601g
- ISBN-13: 9781108489058
- ISBN-10: 1108489052
- Artikelnr.: 62050674
Introduction: Simon Smith and Emma Whipday; Part I. Players: Simon Smith
and Emma Whipday; 1. Shakespeare's motists Natasha Korda; 2. 'Thou look'st
pale': Narrating blanching and blushing on the early modern stage Emma
Whipday; 3. Emotions, gesture and race in the early modern playhouse Farah
Karim-Cooper; 4. The girl player, the virgin Mary and Romeo and Juliet
Deanne Williams; Part II. Playgoers: Simon Smith and Emma Whipday; 5.
Playgoing, apprenticeship and profit: Francis Quicksilver, Goldsmith and
Richard Meighen, Stationer Lucy Munro; 6. Rethinking early modern
playgoing, pleasure and judgement Simon Smith; 7. 'Art hath an enemie cal'd
Ignorance': The prodigal industry of early modern playwrighting Jeremy
Lopez; 8. Early modern drama out of order: Chronology, originality and
audience expectations Eoin Price; Part III. Playhouses: Simon Smith and
Emma Whipday; 9. 'Theatre' and 'Play+House': Naming spaces in the time of
Shakespeare Tiffany Stern; 10. '[T]hough Ram Alley stinks with cooks and
ale / Yet say there's many a worthy lawyer's chamber / Butts upon Ram
Alley': An Innsman goes to the playhouse Jackie Watson; 11. Playing with
the audience in Othello Stephen Purcell; 12. 'All their minds transfigured
so together': The imagination at the Elizabethan playhouse Helen Hackett;
Select Bibliography; Index.
and Emma Whipday; 1. Shakespeare's motists Natasha Korda; 2. 'Thou look'st
pale': Narrating blanching and blushing on the early modern stage Emma
Whipday; 3. Emotions, gesture and race in the early modern playhouse Farah
Karim-Cooper; 4. The girl player, the virgin Mary and Romeo and Juliet
Deanne Williams; Part II. Playgoers: Simon Smith and Emma Whipday; 5.
Playgoing, apprenticeship and profit: Francis Quicksilver, Goldsmith and
Richard Meighen, Stationer Lucy Munro; 6. Rethinking early modern
playgoing, pleasure and judgement Simon Smith; 7. 'Art hath an enemie cal'd
Ignorance': The prodigal industry of early modern playwrighting Jeremy
Lopez; 8. Early modern drama out of order: Chronology, originality and
audience expectations Eoin Price; Part III. Playhouses: Simon Smith and
Emma Whipday; 9. 'Theatre' and 'Play+House': Naming spaces in the time of
Shakespeare Tiffany Stern; 10. '[T]hough Ram Alley stinks with cooks and
ale / Yet say there's many a worthy lawyer's chamber / Butts upon Ram
Alley': An Innsman goes to the playhouse Jackie Watson; 11. Playing with
the audience in Othello Stephen Purcell; 12. 'All their minds transfigured
so together': The imagination at the Elizabethan playhouse Helen Hackett;
Select Bibliography; Index.
Introduction: Simon Smith and Emma Whipday; Part I. Players: Simon Smith
and Emma Whipday; 1. Shakespeare's motists Natasha Korda; 2. 'Thou look'st
pale': Narrating blanching and blushing on the early modern stage Emma
Whipday; 3. Emotions, gesture and race in the early modern playhouse Farah
Karim-Cooper; 4. The girl player, the virgin Mary and Romeo and Juliet
Deanne Williams; Part II. Playgoers: Simon Smith and Emma Whipday; 5.
Playgoing, apprenticeship and profit: Francis Quicksilver, Goldsmith and
Richard Meighen, Stationer Lucy Munro; 6. Rethinking early modern
playgoing, pleasure and judgement Simon Smith; 7. 'Art hath an enemie cal'd
Ignorance': The prodigal industry of early modern playwrighting Jeremy
Lopez; 8. Early modern drama out of order: Chronology, originality and
audience expectations Eoin Price; Part III. Playhouses: Simon Smith and
Emma Whipday; 9. 'Theatre' and 'Play+House': Naming spaces in the time of
Shakespeare Tiffany Stern; 10. '[T]hough Ram Alley stinks with cooks and
ale / Yet say there's many a worthy lawyer's chamber / Butts upon Ram
Alley': An Innsman goes to the playhouse Jackie Watson; 11. Playing with
the audience in Othello Stephen Purcell; 12. 'All their minds transfigured
so together': The imagination at the Elizabethan playhouse Helen Hackett;
Select Bibliography; Index.
and Emma Whipday; 1. Shakespeare's motists Natasha Korda; 2. 'Thou look'st
pale': Narrating blanching and blushing on the early modern stage Emma
Whipday; 3. Emotions, gesture and race in the early modern playhouse Farah
Karim-Cooper; 4. The girl player, the virgin Mary and Romeo and Juliet
Deanne Williams; Part II. Playgoers: Simon Smith and Emma Whipday; 5.
Playgoing, apprenticeship and profit: Francis Quicksilver, Goldsmith and
Richard Meighen, Stationer Lucy Munro; 6. Rethinking early modern
playgoing, pleasure and judgement Simon Smith; 7. 'Art hath an enemie cal'd
Ignorance': The prodigal industry of early modern playwrighting Jeremy
Lopez; 8. Early modern drama out of order: Chronology, originality and
audience expectations Eoin Price; Part III. Playhouses: Simon Smith and
Emma Whipday; 9. 'Theatre' and 'Play+House': Naming spaces in the time of
Shakespeare Tiffany Stern; 10. '[T]hough Ram Alley stinks with cooks and
ale / Yet say there's many a worthy lawyer's chamber / Butts upon Ram
Alley': An Innsman goes to the playhouse Jackie Watson; 11. Playing with
the audience in Othello Stephen Purcell; 12. 'All their minds transfigured
so together': The imagination at the Elizabethan playhouse Helen Hackett;
Select Bibliography; Index.