This book presents the latest research on - and freshest approaches to - the early modern theatre, from an international team of leading scholars. Its novel methodology brings together theatre history, literary criticism and performance studies, making it essential reading for all students and scholars working on Shakespeare and early modern drama.
This book presents the latest research on - and freshest approaches to - the early modern theatre, from an international team of leading scholars. Its novel methodology brings together theatre history, literary criticism and performance studies, making it essential reading for all students and scholars working on Shakespeare and early modern drama.
Introduction: Simon Smith and Emma Whipday; Part I. Players: Simon Smith and Emma Whipday; 1. Shakespeare's motists Natasha Korda; 2. 'Thou look'st pale': Narrating blanching and blushing on the early modern stage Emma Whipday; 3. Emotions, gesture and race in the early modern playhouse Farah Karim-Cooper; 4. The girl player, the virgin Mary and Romeo and Juliet Deanne Williams; Part II. Playgoers: Simon Smith and Emma Whipday; 5. Playgoing, apprenticeship and profit: Francis Quicksilver, Goldsmith and Richard Meighen, Stationer Lucy Munro; 6. Rethinking early modern playgoing, pleasure and judgement Simon Smith; 7. 'Art hath an enemie cal'd Ignorance': The prodigal industry of early modern playwrighting Jeremy Lopez; 8. Early modern drama out of order: Chronology, originality and audience expectations Eoin Price; Part III. Playhouses: Simon Smith and Emma Whipday; 9. 'Theatre' and 'Play+House': Naming spaces in the time of Shakespeare Tiffany Stern; 10. '[T]hough Ram Alley stinks with cooks and ale / Yet say there's many a worthy lawyer's chamber / Butts upon Ram Alley': An Innsman goes to the playhouse Jackie Watson; 11. Playing with the audience in Othello Stephen Purcell; 12. 'All their minds transfigured so together': The imagination at the Elizabethan playhouse Helen Hackett; Select Bibliography; Index.
Introduction: Simon Smith and Emma Whipday; Part I. Players: Simon Smith and Emma Whipday; 1. Shakespeare's motists Natasha Korda; 2. 'Thou look'st pale': Narrating blanching and blushing on the early modern stage Emma Whipday; 3. Emotions, gesture and race in the early modern playhouse Farah Karim-Cooper; 4. The girl player, the virgin Mary and Romeo and Juliet Deanne Williams; Part II. Playgoers: Simon Smith and Emma Whipday; 5. Playgoing, apprenticeship and profit: Francis Quicksilver, Goldsmith and Richard Meighen, Stationer Lucy Munro; 6. Rethinking early modern playgoing, pleasure and judgement Simon Smith; 7. 'Art hath an enemie cal'd Ignorance': The prodigal industry of early modern playwrighting Jeremy Lopez; 8. Early modern drama out of order: Chronology, originality and audience expectations Eoin Price; Part III. Playhouses: Simon Smith and Emma Whipday; 9. 'Theatre' and 'Play+House': Naming spaces in the time of Shakespeare Tiffany Stern; 10. '[T]hough Ram Alley stinks with cooks and ale / Yet say there's many a worthy lawyer's chamber / Butts upon Ram Alley': An Innsman goes to the playhouse Jackie Watson; 11. Playing with the audience in Othello Stephen Purcell; 12. 'All their minds transfigured so together': The imagination at the Elizabethan playhouse Helen Hackett; Select Bibliography; Index.
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