What happens when a theatrical production moves both literally and aesthetically off the stage and into the world surround the playhouse? Fourteen scholars and theater professionals address an issue that has aesthetic, philosophical, historical, psychological, social, and political implications for all those interested in the theater.
What happens when a theatrical production moves both literally and aesthetically off the stage and into the world surround the playhouse? Fourteen scholars and theater professionals address an issue that has aesthetic, philosophical, historical, psychological, social, and political implications for all those interested in the theater.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by Sidney Homan - Contributions by Gigi Argyropoulou; S. P. Cerasano; Lance Duerfahrd; Joe Falocco; Uli Jäckle; Gina MacKenzie; Daniel T. O'Hara; James Penner; Brian Rhinehart; Elizabeth Sakellaridou; Horacio Sierra; Avra Sidiropoulou and Natascha
Inhaltsangabe
Introduction, "What It Can Mean to Play Offstage-and Why," Sidney Homan Section 1: "What Fourth Wall?" 1."Looking from Either Side of Glass," Elizabeth Sakellaridou 2."Sticking It to the Audience," Sidney Homan 3."'To Be a Public Spectacle to All': Hidden Cameras, Flash Mobs and the Potential for Revolutionary Theater," Horacio Sierra 4."'Bard on Demand': Shakespeare on Screen[s] in the Twenty-First Century," Joe Falocco Section 2: The Theater of Everyday Life 5."Town vs. Landscape: Citizen's Theater and the Re-envisioning of Actor and Stage" Uli Jäckle and Brian Rhinehart 6."Directing and Leadership: Endorsing the Stage to Generate Collaboration and Creativity within Corporate Contexts," Avra Sidiropoulou 7."Taking the Performance Off the Stage of Reality: Timothy Leary's Off-Broadway Performances of 1966-1967," James Penner 8."Making Noh Real Life: Transforming Anxiety in William T. Vollmann's Kissing the Mask,"Gina MacKenzie and Daniel T. O'Hara Section 3: Presence and Factor-and Force 9."The Theater, Inside Out, 1575-1630," S. E. Cerasano 10."Ruptured Stages: Neoliberalism and the Dramaturgies of Debt and Time," Gigi Argyropoulou 11."Articulating the Farewell - Performance and the City," Natascha Siouzouli 12."The Road Free to All: Staging Waiting for Godot during the Occupy Wall Street Protests," Lance Duerfahrd
Introduction, "What It Can Mean to Play Offstage-and Why," Sidney Homan Section 1: "What Fourth Wall?" 1."Looking from Either Side of Glass," Elizabeth Sakellaridou 2."Sticking It to the Audience," Sidney Homan 3."'To Be a Public Spectacle to All': Hidden Cameras, Flash Mobs and the Potential for Revolutionary Theater," Horacio Sierra 4."'Bard on Demand': Shakespeare on Screen[s] in the Twenty-First Century," Joe Falocco Section 2: The Theater of Everyday Life 5."Town vs. Landscape: Citizen's Theater and the Re-envisioning of Actor and Stage" Uli Jäckle and Brian Rhinehart 6."Directing and Leadership: Endorsing the Stage to Generate Collaboration and Creativity within Corporate Contexts," Avra Sidiropoulou 7."Taking the Performance Off the Stage of Reality: Timothy Leary's Off-Broadway Performances of 1966-1967," James Penner 8."Making Noh Real Life: Transforming Anxiety in William T. Vollmann's Kissing the Mask,"Gina MacKenzie and Daniel T. O'Hara Section 3: Presence and Factor-and Force 9."The Theater, Inside Out, 1575-1630," S. E. Cerasano 10."Ruptured Stages: Neoliberalism and the Dramaturgies of Debt and Time," Gigi Argyropoulou 11."Articulating the Farewell - Performance and the City," Natascha Siouzouli 12."The Road Free to All: Staging Waiting for Godot during the Occupy Wall Street Protests," Lance Duerfahrd
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