This volume explores how and why we deny, or manipulate, or convert, or enhance reality.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sidney Homan is Professor of English at the University of Florida, USA, and is his university's Teacher/Scholar of the Year. The author of 12 books and editor of seven collections of essays on Shakespeare and the modern playwrights, he is also an actor and director in professional and university theatres. His most recent books are Comedy Acting for Theatre: The Art and Craft of Performing in Comedies (2018) with the New York director Brian Rhinehart and Why the Theatre (2020). He has also written the librettos for two operas, by composer Paul Richards, The Golem of Prague and Lady Mary's Cure.
Inhaltsangabe
Introduction: On a Collection's Title and Sub-title Section I: Denying and Manipulating Reality 1. This Thing That Still Lives with Us: Requiem to Disinterest 2. Feeling Good or Doing Good? Enabling Economic Exploitation through Ambiguous Bliss, Willful Ignorance, and Polarized Thinking 3. The Purple Rose of Late Capitalism 4. Onstage Cataclysm: The Play-within-the-Play in Kyd's The Spanish Tragedy 5. How Truth Matters: Soft and Hard Theology and the Lisbon Earthquake 6. The Church and the Art of the Cover-Up 7. The Vaccine, Public Trust, and Doubt 8. The Real Housewives of Ipswich: London Road, and the Relationship Between Verbatim Theatre and Structured Reality Television Section II: Converting Reality 9. Lord of the Fleas: Science, Monsters, and Political Fraud 10. George Washington's Hatchet and Shakespeare's Stage 11. Stardust and Empathy: Jacinda Ardern and the Theatre 12. All the World's a Simulation 13. The Zen of Theseus: Language and Reality from a Buddhist Philosophical Perspective 14. Surviving the Fugue: Reflections on Pandemic Storytelling 15. Confessions of a "Pandemicized" Homo-Dialectica 16. Blood on the Page: Male Authors on Menstrual Sex 17. Flashbulb Memories: Fictive Reconstructions of Lived Experiences Section III: Enhancing Reality 18. The Improvisation of Meaning in Everyday Life 19. Playing with Data: The Role of Fictive Narratives in Science 20. "No really, it was a joke!' The Humor Excuse and the Challenge of Political Satire in Contemporary America 21. Imitation vs. The Real: Making the Invisible Visible Through Site-Specific Theatre 22. Gentrifying Reality and Diversity Through Site-Specific Theater: Interrogating Ownership, Identity, and Community in Miami Motel Stories 23. Elusive Realities: On the Making of a Documentary 24. Authenticity and No End Epilogue If the Man Go to the Water
Introduction: On a Collection's Title and Sub-title Section I: Denying and Manipulating Reality 1. This Thing That Still Lives with Us: Requiem to Disinterest 2. Feeling Good or Doing Good? Enabling Economic Exploitation through Ambiguous Bliss, Willful Ignorance, and Polarized Thinking 3. The Purple Rose of Late Capitalism 4. Onstage Cataclysm: The Play-within-the-Play in Kyd's The Spanish Tragedy 5. How Truth Matters: Soft and Hard Theology and the Lisbon Earthquake 6. The Church and the Art of the Cover-Up 7. The Vaccine, Public Trust, and Doubt 8. The Real Housewives of Ipswich: London Road, and the Relationship Between Verbatim Theatre and Structured Reality Television Section II: Converting Reality 9. Lord of the Fleas: Science, Monsters, and Political Fraud 10. George Washington's Hatchet and Shakespeare's Stage 11. Stardust and Empathy: Jacinda Ardern and the Theatre 12. All the World's a Simulation 13. The Zen of Theseus: Language and Reality from a Buddhist Philosophical Perspective 14. Surviving the Fugue: Reflections on Pandemic Storytelling 15. Confessions of a "Pandemicized" Homo-Dialectica 16. Blood on the Page: Male Authors on Menstrual Sex 17. Flashbulb Memories: Fictive Reconstructions of Lived Experiences Section III: Enhancing Reality 18. The Improvisation of Meaning in Everyday Life 19. Playing with Data: The Role of Fictive Narratives in Science 20. "No really, it was a joke!' The Humor Excuse and the Challenge of Political Satire in Contemporary America 21. Imitation vs. The Real: Making the Invisible Visible Through Site-Specific Theatre 22. Gentrifying Reality and Diversity Through Site-Specific Theater: Interrogating Ownership, Identity, and Community in Miami Motel Stories 23. Elusive Realities: On the Making of a Documentary 24. Authenticity and No End Epilogue If the Man Go to the Water
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