This book puts a creative new reading of Hans-Georg Gadamer's philosophical hermeneutics and literary genre theory to work on the problem of Scripture.
This book puts a creative new reading of Hans-Georg Gadamer's philosophical hermeneutics and literary genre theory to work on the problem of Scripture.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andrew Judd is a Lecturer in Old Testament at Ridley College, Melbourne and the Australian College of Theology.
Inhaltsangabe
Introduction Part I: Gadamer and Genre Theory 1 Gadamer in conversation 2 Spiel 3 Genre Part II Three Contested Biblical Texts 4 Reading psalms in the first century 5 Reading Hagar in the nineteenth century 6 Experiencing that night in Gibeah as twentieth-century horror film Conclusion Appendix: Breakdown of OT citations in Acts by genre
Introduction
Part I: Gadamer and Genre Theory
1 Gadamer in conversation
2 Spiel
3 Genre
Part II Three Contested Biblical Texts
4 Reading psalms in the first century
5 Reading Hagar in the nineteenth century
6 Experiencing that night in Gibeah as twentieth-century horror film
Conclusion
Appendix: Breakdown of OT citations in Acts by genre
Introduction Part I: Gadamer and Genre Theory 1 Gadamer in conversation 2 Spiel 3 Genre Part II Three Contested Biblical Texts 4 Reading psalms in the first century 5 Reading Hagar in the nineteenth century 6 Experiencing that night in Gibeah as twentieth-century horror film Conclusion Appendix: Breakdown of OT citations in Acts by genre
Introduction
Part I: Gadamer and Genre Theory
1 Gadamer in conversation
2 Spiel
3 Genre
Part II Three Contested Biblical Texts
4 Reading psalms in the first century
5 Reading Hagar in the nineteenth century
6 Experiencing that night in Gibeah as twentieth-century horror film
Conclusion
Appendix: Breakdown of OT citations in Acts by genre
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