Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain.
Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain.
Gordon Thompson is Professor of Music at Skidmore College.
Inhaltsangabe
Preface, Acknowledgements Introduction 1. The Velvet Glove: The Art of Production 2. A Question of Balance: Engineering Art 3. Mediating Change: Setting Musical Directions 4. The Write Stuff: Songwriters 5. Red-Light Fever: Musicians 6. Please Please Me 7. London Recording Studios Discography Bibliography
Preface, Acknowledgements Introduction 1. The Velvet Glove: The Art of Production 2. A Question of Balance: Engineering Art 3. Mediating Change: Setting Musical Directions 4. The Write Stuff: Songwriters 5. Red-Light Fever: Musicians 6. Please Please Me 7. London Recording Studios Discography Bibliography
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